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XX》。山腹の岩場に立って東のほうを見ている。足元は不安定だが、眺めは最高だ。\r\n"}],[{"image":{"id":178970,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1589_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1589_1104.jpg"},"caption":"設置から6年、風雨にさらされて徐々に鉄が溶け落ち、顔も穏やかになったよう、と設置当時を知る人は言う。"},{"image":{"id":178966,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1521_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1521_1104.jpg"},"caption":"アントニー・ゴームリーの作品がある千燈地区の社。この地区は国東半島中の寺院を開いたとされる伝説の僧、仁聞菩薩（にんもんぼさつ）が寺を開き、修業し、入寂したと伝えられる地だ。"},{"image":{"id":178967,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1533_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1533_1104.jpg"},"caption":"いつの頃にできたのかわからない苔むした石塔群。"}],[{"image":{"id":178964,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1495_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1495_1104.jpg"},"caption":"千燈地区の苔むした参道と鳥居。春の新緑、秋の紅葉と四季折々の美しさが楽しめる。\r\n"},{"image":{"id":178968,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1545_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1545_1104.jpg"},"caption":"アントニー・ゴームリー作品近くの〈不動茶屋〉では「アントニー・ゴームリー氏の作品が設置されるまで」と題して、プロジェクトの様子を図解しながらわかりやすく紹介している。"}]],[[{"image":{"id":178975,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1649_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1649_1104.jpg"},"caption":"宮島達男《Hundred 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Houses》。コンクリートの箱の脇にはカウンターのスピードを設定した人が描いた絵や文字が刻まれている。"}],[{"image":{"id":178974,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1638_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1638_1104.jpg"},"caption":"崖一面に点々とLEDカウンターを収めた100個の”家”が並ぶ。村外の人にもカウンターの設定を依頼したのは、またこの場所に戻ってきて欲しいとの想いを込めたものだ。"},{"image":{"id":178965,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1498_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1498_1104.jpg"},"caption":"仁聞菩薩が開いたとされる千燈寺跡の石造仁王像。石仏・磨崖仏が多い大分県の中でも、国東半島にはとりわけ多くが残るという。"}]],[[{"image":{"id":178972,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1625_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1625_1104.jpg"},"caption":"川俣正《説教壇》。木で作られた空中回廊が海に向かって設えられている。"}],[{"image":{"id":178971,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1603_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1603_1104.jpg"},"caption":"川俣正《説教壇》先端からの眺め。"},{"image":{"id":178973,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1628_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1628_1104.jpg"},"caption":"《説教壇》から降りたところには、ペトロ・カスイ岐部記念公園がある。ペトロ・カスイ岐部神父は、禁教だったキリスト教の聖地であるエルサレムから戻り、弾圧されて命を落とした。"}]],[[{"image":{"id":179924,"media_type":"image","media_details":{"width":1104,"height":828,"file":"2022/03/0330OITA01_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0330OITA01_1104.jpg"},"caption":"《首飾り—石を持って山に登る》。各地から持ってきた石で山にかけてあげる”首飾り”を作った。　撮影：島袋道浩"},{"image":{"id":179925,"media_type":"image","media_details":{"width":1104,"height":739,"file":"2022/03/0330OITA02_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0330OITA02_1104.jpg"},"caption":"島袋道浩《光る道—階段の無い参道》。天に続いていくかのような”光の道”。　撮影：島袋道浩"},{"image":{"id":179927,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0330OITA04_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0330OITA04_1104.jpg"},"caption":"島袋道浩《息吹》。　撮影：島袋道浩"},{"image":{"id":179926,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0330OITA03_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0330OITA03_1104.jpg"},"caption":"島袋道浩《マノセ》。　撮影：島袋道浩"}]],[[{"image":{"id":179976,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1402_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1402_1104.jpg"},"caption":"〈不均質な自然と人の美術館〉は福岡を拠点とするクリエイティブ・ラボ「anno lab」が制作したアートを収蔵する美術館。「太陽と月の部屋」では観客の動きに応じてピアノの音が変わり、それに合わせて天井の丸窓が開閉する。床の日なたを踏むと、日なたがついてくる。"},{"image":{"id":179079,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1436_1104-1.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1436_1104-1.jpg"},"caption":"〈不均質な自然と人の美術館〉、「海の部屋」。空中の水玉に手を近づけると水玉が光るパターンが変化する。\r\n"},{"image":{"id":178962,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1477_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1477_1104.jpg"},"caption":"〈不均質な自然と人の美術館〉、「森の部屋」。美術館周辺の風などに応じて生き物のように壁のアニメーションが変化する。観客が中に入ると音が追いかけてくるようにも感じられる。"}],[{"image":{"id":178963,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1484_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1484_1104.jpg"},"caption":"〈不均質な自然と人の美術館〉外観。建物の中に自然が入り込み、姿を変える。"}]],[[{"image":{"id":181608,"media_type":"image","media_details":{"width":1104,"height":841,"file":"2021/03/0405OITA_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2021/03/0405OITA_1104.jpg"},"caption":"長崎鼻リゾートキャンプ場内の淀川テクニック《国東半島のラクダ》。ラクダは旅から着想したもの。脚の関節なども長崎鼻や豊後高田市を中心に集めた漂着物を使ってきちんと表現されている。　写真提供：国東半島カルチャーツーリズム推進事業豊後高田市実行委員会\r\n"},{"image":{"id":178956,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1264_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1264_1104.jpg"},"caption":"ラクダのお腹には淀川テクニックが日本中から集めた植物や瓶が。持ち帰るだけでなく、持参した植物や種を置いていくこともできる。"}]],[[{"image":{"id":179932,"media_type":"image","media_details":{"width":1104,"height":801,"file":"2022/03/0330OITA05_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0330OITA05_1104.jpg"},"caption":"木村崇人《太陽と坐る》。"}]],[[{"image":{"id":178959,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1307_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1307_1104.jpg"},"caption":"【国東半島で見るべきアート】戸田裕介《水土の門／天地を巡るものII（stage2）》は2017年設置。雲から雨、地下水、川、海へと姿を変える水の循環を思わせる。\r\n"},{"image":{"id":178958,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1300_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1300_1104.jpg"},"caption":"【国東半島で見るべきアート】森貴也《なるべく高いところから空を見る》、菜の花畑の向こうに作品が見える。\r\n"},{"image":{"id":178960,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1323_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1323_1104.jpg"},"caption":"【国東半島で見るべきアート】オノ・ヨーコ《念願の木》《見えないベンチ》。《念願の木》には願い事を書いた短冊を吊すことができる。ベンチの前には「地球が回る音を聞きなさい。」など、オノ・ヨーコのインストラクションが書かれている。\r\n"}]],[[{"image":{"id":178955,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1254_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1254_1104.jpg"},"caption":"真玉海岸の水平線に沈む夕陽は「日本の夕陽百選」にも選ばれている。"}],[{"image":{"id":178954,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1235_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1235_1104.jpg"},"caption":"チームラボ〈花と人、コントロールできないけれども、共に生きる─Kunisaki Peninsula〉。四季の花に囲まれる幻想的な体験ができる。"},{"image":{"id":178953,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1201_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1201_1104.jpg"},"caption":"人が近づくことで花が咲き渡り、また散っていく。"}]],[[{"image":{"id":178943,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA0895_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA0895_1104.jpg"},"caption":"〈大分県立美術館（OPAM）〉3階の天井。竹細工のようなパターンが美しい。\r\n"},{"image":{"id":179184,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0324OITA_opam_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0324OITA_opam_1104.jpg"},"caption":"〈大分県立美術館（OPAM）〉南側のファサードは大きなガラスの水平折戸で全面が開くようになっている。\r\n"}],[{"image":{"id":178948,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1041_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1041_1104.jpg"},"caption":"〈大分県立美術館（OPAM）〉1階アトリウムでの「びじゅチューン！×OPAM なりきり美術館」展示風景。磨崖仏や祭りなど、作品のインスピレーション源となった大分県の魅力も紹介している。\r\n"},{"image":{"id":178944,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA0906_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA0906_1104.jpg"},"caption":"「びじゅチューン！×OPAM なりきり美術館」、葛飾北斎《神奈川沖浪裏》をモチーフにしたもの。所定の位置で飛び跳ねると飛んだ高さに応じて小波から大波まで、大きさの違う波が立つ。"},{"image":{"id":178945,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA0912_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA0912_1104.jpg"},"caption":"（左から）生野祥雲斎《怒濤》（〈大分市美術館〉蔵）と〈大分県立美術館（OPAM）〉所蔵の門田篁玉《波涛》。同じ波をモチーフにした竹工芸作品を見せる。"},{"image":{"id":178946,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA0984_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA0984_1104.jpg"},"caption":"尾形光琳《風神雷神図屛風》（複製）の前に立つと雷や嵐が。裏側には実際に《風神雷神図》の裏に描かれていた酒井抱一《夏秋草図屛風》（複製）があり、表の動きにあわせて風や雨に草が揺れる。"}],[{"image":{"id":178947,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1009_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1009_1104.jpg"},"caption":"昨年、生誕110年を迎えた宇治山哲平の《弾む》は全長約14メートルの作品。俵屋宗達の《風神雷神図屛風》にインスピレーションを得て制作された。\r\n"}]],[[{"image":{"id":178950,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1096_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1096_1104.jpg"},"caption":"磯崎新設計の〈豊の国情報ライブラリー〉ロビー。巨大な円盤が浮かぶ現代の神殿のような光景。"},{"image":{"id":178949,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1072_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1072_1104.jpg"},"caption":"〈豊の国情報ライブラリー〉閲覧室。100本もの柱が整然と並ぶ。"}],[{"image":{"id":179161,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA_9458_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA_9458_1104.jpg"},"caption":"折れ曲がるスロープが印象的な〈アートプラザ〉。日本におけるモダン・ムーブメントの建築を調査・保存する「DOCOMOMO Japan」の100選にも認定されている。\r\n"},{"image":{"id":179162,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA_9474_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA_9474_1104.jpg"},"caption":"〈アートプラザ〉内部。吉野辰海らの作品が並ぶ吹き抜けの周囲に、磯崎建築の資料が並ぶ展示室が配されている。\r\n"}],[{"image":{"id":178951,"media_type":"image","media_details":{"width":1104,"height":1656,"file":"2022/03/0321OITA1106_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1106_1104.jpg"},"caption":"〈大分市情報学習センター〉入口のスロープ。正三角形、正円などの幾何形体で構成されている。\r\n"}],[{"image":{"id":178952,"media_type":"image","media_details":{"width":1104,"height":736,"file":"2022/03/0321OITA1112_1104.jpg"},"post":178940,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/03/0321OITA1112_1104.jpg"},"caption":"〈大分市情報学習センター〉内部はボールト天井に波打つ壁が組み合わされている。"}]]],"title":"アートで1300年のタイムトリップができる大分・国東半島へ。","promotion":1,"promiseInleadPosts":"$@42"}],["$","div",null,{"className":"py-9 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