12:["$","$L40",null,{"post":{"id":344921,"date":"2023-02-06T17:55:35","type":"post","link":"https://casabrutus.com/categories/architecture/344921","title":{"rendered":"城跡／民家／墓地群…。自然と人間の営為から生まれた「沖縄と琉球の建築」を巡る【沖縄シティガイド】"},"featured_media":{"id":344924,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/01/0131ryukyu01_thumbnail.jpg","sizes":{"size_1256x1570":{"file":"0131ryukyu01_thumbnail-1256x1570.jpg","width":1256,"height":1570,"mime-type":"image/jpeg","source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu01_thumbnail-1256x1570.jpg"}}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu01_thumbnail.jpg"},"categories":[{"id":7,"count":1595,"description":"","link":"https://wp2022.casabrutus.com/category/architecture","name":"Architecture","slug":"architecture","taxonomy":"category","meta":[],"parent":0,"term_order":3,"disable_ads":false},{"id":3,"count":908,"description":"","link":"https://wp2022.casabrutus.com/category/culture","name":"Culture","slug":"culture","taxonomy":"category","meta":[],"parent":0,"term_order":8,"disable_ads":false},{"id":9,"count":1269,"description":"","link":"https://wp2022.casabrutus.com/category/travel","name":"Travel","slug":"travel","taxonomy":"category","meta":[],"parent":0,"term_order":7,"disable_ads":false}],"tags":[{"id":14330,"count":1,"description":"","link":"https://wp2022.casabrutus.com/tag/timeless-landscapes","name":"Timeless 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6, 2023 | Architecture, Culture, Travel | casabrutus.com | photo_Shigeo Ogawa ilustration_Kei Endo text_Yutaro Tomii editor_Rie Nishikawa","subtitle":"伝統的民家やグスク（城）の遺構、樋川（湧水）、フクギの防風林など、沖縄の風土ならではの人工環境を「建築」と捉えた注目の書籍『沖縄と琉球の建築｜Timeless Landscapes 3』。企画・編集を担当した富井雄太郎さんが取材を通して出会った、その魅力を解説する。","tableOfContents":0,"tableOfContentsTitle":"","page":[{"pageTitle":"","section":[{"imageTitle":"■ 垣花樋川","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"2021年1月、叢書『Timeless Landscapes』第3巻のため沖縄現地でのロケハンが始まった。事前に建築写真の第一人者である小川重雄さんと何度かの対話や、文献による下調べなどはしていたものの、具体的には白紙からのスタートだった。\r\n\r\n那覇空港に1人で降りたち、レンタカーでまずは〈仲村渠樋川〉（なかんだかりひーじゃー）へ向かう。「樋川（ひーじゃー）」とは、沖縄に数多くある湧水のことで、主に琉球石灰岩などを使いながら、地元の人々の創意工夫によって整備された共同の水場である。上水道が整備される以前は、住居と共に生活に欠かせない構築物だった。\r\n\r\n沖縄本島の特に南部には山という山がなく、豊富な雨もすぐに海へと流れていってしまうため、島で生きる人間にとって利用可能な水は貴重だ。1945年の沖縄戦の幾多の証言でも、水への渇望はよく触れられる。\r\n\r\n〈仲村渠樋川〉は樋川の代表格であり、建築関係の本でもしばしば取り上げられていた。空港から車で1時間弱、付近に着くも曲がるべきところを通り過ぎてしまったらしく、道に迷っているなかでたまたま辿り着いたのが〈垣花樋川〉（かきのはなひーじゃー）だった。","boxedSubBody":"","image_set":[{"image":{"id":344925,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu02_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu02_1312.jpg"},"caption":"沖縄本島南部に位置する〈垣花樋川〉（かきのはなひーじゃー）。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"そこは天国のような場所だった。方々から滾々（こんこん）と水が湧き、心地よい音を立てながら斜面を流れ落ち、小さな溜まりをつくっている。静かな水面は空を映し、眼下には海が見える。大気が雲となって雨になり、大地に浸透した水が地層で濾過（ろか）され、急斜面の途中であるこの地上に露出し、また海へと戻っていく。そうした大きな循環が感じられる。ふんだんに湧くこの〈垣花樋川〉の水は、周囲の畑でも活用されている。2021年7月に撮影のため再訪した際は、水遊びをする子供たちで賑わっていた。","boxedSubBody":"","image_set":[{"image":{"id":344926,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu03_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu03_1312.jpg"},"caption":"〈垣花樋川〉。水の道と水場が琉球石灰岩でつくられている。写真右側には水の溜まりと木かげの小さなベンチが見える。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"琉球石灰岩を加工してつくられた細い樋（とい）、同じく石で矩形（くけい、直方形のこと）が象られた水場、木かげに置かれた小さなベンチなど、人間のわずかな工作と介入によって豊かな場所が生まれている。\r\n\r\n後から思えば、この美しく、普通の意味では建築とは見なされない〈垣花樋川〉に偶然出会ったことで、『沖縄と琉球の建築｜Timeless Landscapes 3』の方向性は決定づけられた。人間が生きられるところは地上のごく表面であり、小さく限られている。そこにつくられた環境は些細だが、だからこその創意工夫があり、尊い。そのような自然のなかでの人間の営為、構築のすべてを「建築」と捉えてみようと。","boxedSubBody":"","image_set":[{"image":{"id":344927,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu04_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu04_1312.jpg"},"caption":"遠藤慧による〈垣花樋川〉のドローイング。現地で実測して制作された。","disable_captipn":0}]}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"伝統的民家やグスク（城）の遺構、樋川（湧水）、フクギの防風林など、沖縄の風土ならではの人工環境を「建築」と捉えた注目の書籍『沖縄と…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"〈垣花樋川〉","body":"沖縄県南城市玉城字垣花812","descriptionMapLink":"https://goo.gl/maps/T2S72t2BLe7zCCuV8"}],"button":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"■ 中城城跡","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"グスク（城）の遺構であり、「琉球王国のグスク及び関連遺産群」として世界遺産に登録されているうちのひとつ。14世紀中頃より築城。標高約160メートルの高台にあり、第二次世界大戦の被害が少なかったために、オリジナルの状態が最もよく残っているとされる。\r\n\r\nここでは優雅なカーブを描く石垣に注目したい。同じ石灰岩に分類される大理石とは違い、肌理が荒い琉球石灰岩が、異なる複数の方法で積まれている。たとえば、一の郭と三の郭を見比べてみよう。前者は四角く整形された石を水平に目地が通るように積んだ「布積み」（豆腐積みとも呼ばれる）で、後者は多角形の石が噛み合わされた「亀甲乱積み」（相方積み）だ。\r\n\r\n琉球石灰岩は、沖縄では古くから建材として樋川や石垣、玉陵などの陵墓、道の石畳などに用いられてきた。現在でも、石垣や墓などの建材として使われたり、道路舗装のためのアスファルトに混ぜる骨材にもなっている。","boxedSubBody":"","image_set":[{"image":{"id":344928,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu05_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu05_1312.jpg"},"caption":"〈中城城跡〉（なかぐすくじょうあと）の一の郭。独特の曲面を持った石垣。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"決定版と言える素晴らしい解説文を寄せていただいた建築史家・青井哲人さんによれば、海のサンゴ礁は、長い時間軸から見れば石灰岩の形成プロセスのさなかにある。琉球石灰岩とは「生物起源のゴツゴツした細かな空隙だらけの岩石。これは繊細な細工はまったく不向き」であるが、「人々がそこに暮らし、遺体を葬り、楔や鑿を打ち、切り出した石を積むとき、彼らに何かを触発し続けてきたに違いない」（青井哲人「古代なき島々の造形 ── 石灰岩段丘からの構築」、『沖縄と琉球の建築｜Timeless Landscapes 3』millegraph、2022年）。\r\n\r\nグスク内には祭祀の場である御嶽（うたき）があり、水を取るための井戸があり、鍛冶屋の跡などもあり、多くの機能をもった複合施設であったことも重要だ。ここでもまた、自然環境に介入し、活用していく人間の営みに想像が及ぶ。削られ、積まれ、構築された環境の素材となったのが、長い時間をかけて生成された琉球石灰岩である。","boxedSubBody":"","image_set":[{"image":{"id":344929,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu06_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu06_1312.jpg"},"caption":"三の郭。「布積み」の一の郭と異なり、「亀甲乱積み」（相方積み）による石垣。","disable_captipn":0}]}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"伝統的民家やグスク（城）の遺構、樋川（湧水）、フクギの防風林など、沖縄の風土ならではの人工環境を「建築」と捉えた注目の書籍『沖縄と…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"〈中城城跡〉","body":"沖縄県中頭郡中城村字泊1258 TEL 098 935 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中城城跡","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"グスク（城）の遺構であり、「琉球王国のグスク及び関連遺産群」として世界遺産に登録されているうちのひとつ。14世紀中頃より築城。標高約160メートルの高台にあり、第二次世界大戦の被害が少なかったために、オリジナルの状態が最もよく残っているとされる。\r\n\r\nここでは優雅なカーブを描く石垣に注目したい。同じ石灰岩に分類される大理石とは違い、肌理が荒い琉球石灰岩が、異なる複数の方法で積まれている。たとえば、一の郭と三の郭を見比べてみよう。前者は四角く整形された石を水平に目地が通るように積んだ「布積み」（豆腐積みとも呼ばれる）で、後者は多角形の石が噛み合わされた「亀甲乱積み」（相方積み）だ。\r\n\r\n琉球石灰岩は、沖縄では古くから建材として樋川や石垣、玉陵などの陵墓、道の石畳などに用いられてきた。現在でも、石垣や墓などの建材として使われたり、道路舗装のためのアスファルトに混ぜる骨材にもなっている。","boxedSubBody":"","image_set":[{"image":{"id":344928,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu05_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu05_1312.jpg"},"caption":"〈中城城跡〉（なかぐすくじょうあと）の一の郭。独特の曲面を持った石垣。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"決定版と言える素晴らしい解説文を寄せていただいた建築史家・青井哲人さんによれば、海のサンゴ礁は、長い時間軸から見れば石灰岩の形成プロセスのさなかにある。琉球石灰岩とは「生物起源のゴツゴツした細かな空隙だらけの岩石。これは繊細な細工はまったく不向き」であるが、「人々がそこに暮らし、遺体を葬り、楔や鑿を打ち、切り出した石を積むとき、彼らに何かを触発し続けてきたに違いない」（青井哲人「古代なき島々の造形 ── 石灰岩段丘からの構築」、『沖縄と琉球の建築｜Timeless Landscapes 3』millegraph、2022年）。\r\n\r\nグスク内には祭祀の場である御嶽（うたき）があり、水を取るための井戸があり、鍛冶屋の跡などもあり、多くの機能をもった複合施設であったことも重要だ。ここでもまた、自然環境に介入し、活用していく人間の営みに想像が及ぶ。削られ、積まれ、構築された環境の素材となったのが、長い時間をかけて生成された琉球石灰岩である。","boxedSubBody":"","image_set":[{"image":{"id":344929,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/01/0131ryukyu06_1312.jpg","sizes":{}},"post":344921,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/01/0131ryukyu06_1312.jpg"},"caption":"三の郭。「布積み」の一の郭と異なり、「亀甲乱積み」（相方積み）による石垣。","disable_captipn":0}]}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"伝統的民家やグスク（城）の遺構、樋川（湧水）、フクギの防風林など、沖縄の風土ならではの人工環境を「建築」と捉えた注目の書籍『沖縄と…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"〈中城城跡〉","body":"沖縄県中頭郡中城村字泊1258 TEL 098 935 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