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\r\n\r\nデザインミュージアムで開催中の展覧会のタイトルは「ザ・クチュリエ」。「自分はデザイナーではなくクチュリエだ」という彼の口癖をタイトルにしたものだ。\r\n\r\n実際、彼は裁断からフィッティングまで、すべて自分の目と手で仕上げることを貫いてきた。その方針は展覧会でも変わりはない。展示は11のカテゴリーにくくられ、背景となる5枚のスクリーンは、アライアと交友があったマーク・ニューソンやコンスタンティン・グルチッチ、公私のパートナーだった画家のクリストフ・フォン・ウェイエらが手がけている。","image_set":[{"image":{"id":78000,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":441,"file":"2019/06/06010azzedinealaia1_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia1_666.jpg"},"caption":"アライア自ら企画を練った集大成の展示。ニューソンのスクリーンをバックにした溜息がもれるメイン展示。"}],"exam_image":null},{"imageTitle":"","movie":"","movieCaption":"","subBody":"服もすべてアライアが選び、展覧会用の透明なマネキンに合わせて新たに製作されたものだ。「女性を美しく見せること」をひたすら追求し、精巧なカッティングや繊細なディテールで構築された服はまるで“着る彫刻”。西洋的な服作りを踏襲しながら、故郷のアフリカを想起させるディテール、斬新で前衛的な素材やフォルムなど、全く枠にとらわれない創作であることがわかる。80年代にグレース・ジョーンズが着たアイコン的な服なども、今もって大胆かつ斬新だ。アライアの“ボディコン”とは、コルセットなどで身体を締め上げるのではなく、伸縮性のある布などでありのままの身体の美しさを強調し、女性を解放するものだったことが見えてくる。","image_set":[{"image":{"id":78002,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":441,"file":"2019/06/06010azzedinealaia4_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia4_666.jpg"},"caption":"グルチッチのスクリーンとレザーを使ったドレス。ハトメもアライアが頻繁に使うモチーフ。"},{"image":{"id":78003,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":441,"file":"2019/06/06010azzedinealaia3_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia3_666.jpg"},"caption":"展覧会の入口。"},{"image":{"id":78001,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":441,"file":"2019/06/06010azzedinealaia2_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia2_666.jpg"},"caption":"長年のパートナー、フォン・ウェイエの絵を配したパネルの前にはエレガントなベルベットのロングドレスが。"},{"image":{"id":78004,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":445,"file":"2019/06/06010azzedinealaia5_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia5_666.jpg"},"caption":" ルースのパネルとスペインにインスパイアされたという服。"}],"exam_image":null}],"button":[{"url":"https://designmuseum.org/exhibitions/azzedine-alaa-the-couturier","text":"公式サイト","color":"","eventcategory":""}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"昨年急逝したアライアが生前企画したロンドンの旗艦店と展覧会。その2つを訪問し、稀なる才能を追悼したい。","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"『Azzedine Alaïa:The Couturier』","body":"オランダのフローニンゲン美術館のマーク・ウィルソンとアライアによる共同企画で、回顧展よりアートインスタレーションを意図した展覧会。クリエイターがデザインした5枚のスクリーンをポイントに11のカテゴリーに分けて展示。〈The Design Museum〉224-238 Kensington High St., London TEL （44）20・3862・5900。10時〜18時（金〜20時）。10月7日まで。入場料16ポンド。"}],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"展覧会の延長のような旗艦店へ","movie":"","movieCaption":"","subBody":"会場には彼の歩みを物語る年表もあり、アフリカ出身の彼がパリのハイソサエティにいかに受け容れられたのかという面も興味深い。それは類稀な才能のほか、彼の人柄によるところも大きいだろう。自宅兼アトリエのキッチンは、クリエイターや文化人が集まるサロンとしても知られていた。アライアを「パパ」と呼ぶモデルのナオミ・キャンベルは16歳のときにアライアと出会っている。「駆け出しのモデルの私にパパは衣食住を提供し、自信を持たせてくれた。フードやアートの指南など、パパとの出会いなくして今の私はありません」と語っている。\r\n\r\nショップの内装を彩る、デザイナー家具や照明。 \r\n\r\n新しい旗艦店も展覧会の延長のような印象だ。場所はブランド店が軒を並べるボンドストリート。こちらもデザイナーや建築家たちとのコラボレーションによって構築されている。","image_set":[{"image":{"id":78008,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":444,"file":"2019/06/06010azzedinealaia13_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia13_666.jpg"},"caption":"展覧会の会場は〈The Design 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Museum〉。クリエーターがデザインした５枚のスクリーンをポイントに11のカテゴリーに分けて展示。"},{"image":{"id":78011,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":444,"file":"2019/06/06010azzedinealaia16_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia16_666.jpg"},"caption":"展覧会の会場は〈The Design Museum〉。クリエーターがデザインした５枚のスクリーンをポイントに11のカテゴリーに分けて展示。"}],"exam_image":null},{"imageTitle":"","movie":"","movieCaption":"","subBody":"展覧会のスクリーンもデザインしているクリス・ルースによる彫刻的な螺旋階段が店の中央を貫き、照明はマーク・ニューソン。倉俣史朗、吉岡徳仁、レンゾ・ピアノ、ピエール・ポランらによる什器、深澤直人のガラスのベンチなどがちりばめられている。服を含めて、店全体がトータルな作品なのだ。","image_set":[{"image":{"id":78012,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":445,"file":"2019/06/06010azzedinealaia6_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia6_666.jpg"},"caption":"照明はマーク・ニューソン、オレンジのテーブルはピエール・ポラン。"},{"image":{"id":78013,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":445,"file":"2019/06/06010azzedinealaia8_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia8_666.jpg"},"caption":"クリス・ルースがデザインした彫刻的な螺旋階段が3フロアを貫く。"}],"exam_image":null},{"imageTitle":"","movie":"","movieCaption":"","subBody":"こうしてすべての創作工程に携わっていただけに、アライア亡き後ブランドは一体どうなるのかと思ったが、スタッフはそのままに、新たにデザイナーを探すことはせず、彼が残したアーカイブを元に服作りを継続するという。流行に左右されない服だからこそ、それも可能というもの。次世代に残すべき財産として、彼の死を超えて大切に引き継がれていってほしい。","image_set":[{"image":{"id":78014,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":666,"file":"2019/06/06010azzedinealaia10_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia10_666.jpg"},"caption":"靴などが並ぶガラスの棚はレンゾ・ピアノで、カーペットはジオ・ポンティ。"},{"image":{"id":78015,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":666,"height":666,"file":"2019/06/06010azzedinealaia11_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia11_666.jpg"},"caption":"天板がミラーになったテーブルは吉岡徳仁、パフュームが並ぶ棚は倉俣史朗の作品。"}],"exam_image":null}],"description":[{"descriptionImage":{"id":78017,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":240,"height":160,"file":"2019/06/06010azzedinealaia12_666.jpg","sizes":{}},"post":77997,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2019/06/06010azzedinealaia12_666.jpg"},"title":"Azzedine 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