12:["$","$L40",null,{"post":{"id":369977,"date":"2023-08-27T18:25:09","type":"post","link":"https://casabrutus.com/categories/art/369977","title":{"rendered":"夭折の画家・中園孔二の“ソウルメイト”に出会う。過去最大規模の個展が開催中。"},"featured_media":{"id":371175,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/08/0826Nakazono10_1312.jpg","sizes":{"size_1256x1570":{"file":"0826Nakazono10_1312-1256x1570.jpg","width":1256,"height":1570,"mime-type":"image/jpeg","source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono10_1312-1256x1570.jpg"}}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono10_1312.jpg"},"categories":[{"id":8,"count":2153,"description":"","link":"https://wp2022.casabrutus.com/category/art","name":"Art","slug":"art","taxonomy":"category","meta":[],"parent":0,"term_order":4,"disable_ads":false}],"tags":[{"id":15081,"count":2,"description":"","link":"https://wp2022.casabrutus.com/tag/%e4%b8%ad%e5%9c%92%e5%ad%94%e4%ba%8c","name":"中園孔二","slug":"%e4%b8%ad%e5%9c%92%e5%ad%94%e4%ba%8c","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":2645,"count":6,"description":"","link":"https://wp2022.casabrutus.com/tag/%e4%b8%b8%e4%ba%80%e5%b8%82%e7%8c%aa%e7%86%8a%e5%bc%a6%e4%b8%80%e9%83%8e%e7%8f%be%e4%bb%a3%e7%be%8e%e8%a1%93%e9%a4%a8","name":"丸亀市猪熊弦一郎現代美術館","slug":"%e4%b8%b8%e4%ba%80%e5%b8%82%e7%8c%aa%e7%86%8a%e5%bc%a6%e4%b8%80%e9%83%8e%e7%8f%be%e4%bb%a3%e7%be%8e%e8%a1%93%e9%a4%a8","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":10119,"count":3,"description":"","link":"https://wp2022.casabrutus.com/tag/%e6%9d%91%e5%b2%a1%e4%bf%8a%e4%b9%9f","name":"村岡俊也","slug":"%e6%9d%91%e5%b2%a1%e4%bf%8a%e4%b9%9f","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""}],"serial_cat":[],"cooking_expert_cat":[],"cooking_tag":[],"cityguide_cat":[],"primary_category":{"term_id":8,"name":"Art","slug":"art","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":0,"count":2153,"filter":"raw","term_order":"4","cat_ID":8,"category_count":2153,"category_description":"","cat_name":"Art","category_nicename":"art","category_parent":0,"disable_ads":false},"custom_fields":{"keyVisual":{"id":0,"alt_text":false,"caption":"2015年に25歳の若さで亡くなった画家・中園孔二。9年ほどの活動期間ながら約600点もの作品を世に残し、近年注目を集めつつある彼…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"altKeyVisual":"","layoutKeyVisual":0,"magdata":"","creditText":"August 27, 2023 | Art | casabrutus.com | text_Housekeeper","subtitle":"2015年に25歳の若さで亡くなった画家・中園孔二。9年ほどの活動期間ながら約600点もの作品を世に残し、近年注目を集めつつある彼の最大規模となる個展『中園孔二　ソウルメイト』が、〈丸亀市猪熊弦一郎現代美術館〉にて開催中だ。このたび中園の評伝『穏やかなゴースト　画家・中園孔二を追って』を上梓した村岡俊也に、展覧会の内容について、そして中園孔二という作家について話を聞いた。","tableOfContents":0,"tableOfContentsTitle":"","page":[{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"中園孔二は1989年神奈川県に生まれた。鎌倉の美大予備校に在籍時代から早くもその才能を示し始め、2008年に東京藝術大学の絵画科油画専攻へ入学。在学中にキュレーター・長谷川祐子や〈小山登美夫ギャラリー〉の小山が作品を購入し、卒業の1年後には個展が開かれるなど、若くしてアートシーンから高い注目を集めていたが、2015年にアトリエを構えていた香川の海で消息不明となりこの世を去った。","boxedSubBody":"","image_set":[{"image":{"id":370972,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono03_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono03_1312.jpg"},"caption":"〈丸亀市猪熊弦一郎現代美術館〉にて、企画展『中園孔二　ソウルメイト』が開催中。photo_Kenji Takahashi","disable_captipn":0,"alt":""}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"現在〈丸亀市猪熊弦一郎美術館〉にて開催中の『中園孔二　ソウルメイト』展では、その中から220点が展示されている。展示方法は年代順に並べるのではなく、「描き続けること」「ひとびと」「多層の景色」「無数の景色」「場所との約束」「イメージの源泉」「ソウルメイト─共に在るもの」という7つのテーマで展開する。","boxedSubBody":"","image_set":[{"image":{"id":370968,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":991,"file":"2023/08/0825Nakazono08_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono08_1312.jpg"},"caption":"中園孔二 photo_Osamu Sakamoto","disable_captipn":0,"alt":""}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"この7つのテーマのもとになるのが、展覧会のタイトルでもある「ソウルメイト」だ。会場の冒頭にかけられたパネルにある主催者の挨拶の中には、中園がノートに残した以下の言葉が書かれている。\r\n\r\nぼくが何か一つのものを見ている時、となりで一緒になって見てくれる誰かが必要なんだ。（中園）\r\n\r\n中園の初の評伝である『穏やかなゴースト　画家・中園孔二を追って』の著者、村岡俊也はこう話す。\r\n\r\n中園は絵を描く際に、“ソウルメイト”を求めていたようで、この展覧会では、人だけでなく、絵そのものもそういった存在だったと捉えています。\r\n\r\n彼が残したノートには絵を信頼している言葉がたくさん書いてあり、また友人たちへの取材によれば、中園は絵を媒介としてコミュニケーションをしていたようです。自分の日々が反映されるものとして考えていて、『自分自身の片方』という記述がノートに残されています。（村岡）","boxedSubBody":"","image_set":[{"image":{"id":370971,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono05_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono05_1312.jpg"},"caption":"「ソウルメイト」というキーワードから発展した7つのテーマで構成される本展。photo_Kenji Takahashi","disable_captipn":0,"alt":""},{"image":{"id":370969,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono07_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono07_1312.jpg"},"caption":"3階の企画展示室だけでなく、1階エントランス（写真）にも作品を展示。photo_Kenji Takahashi","disable_captipn":0,"alt":""}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"本展では、中園の「ソウルメイト」としての作品を鑑賞していく中で、自然と彼の見ていた「景色」へと引き込まれていく。圧倒的な没入感が感じられるのは、まず何より充実した展示点数ゆえだろう。過去に行われた個展の最大の展示作品数は約50点だったと言うから、これほど多くの中園作品に一度に会えるのは初めての機会となる。\r\n\r\nそしてこの作品数の多さも、中園という作家においては重要な点だ。村岡は話す。\r\n\r\nひとつひとつの作品を見てほしいという気持ちはもちろんあったと思いますが、多くの作品を展示し、それによって立ち現れるものこそが、中園が絵を描く意味であり、やりたかったこと。生前のインタビューでは、『たくさん作ることに意味がある』という発言もしていて、大事なのはたくさん作ることで立ち現れる景色、と考えていたようです。（村岡）","boxedSubBody":"","image_set":[{"image":{"id":370966,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1678,"file":"2023/08/0825Nakazono10_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono10_1312.jpg"},"caption":"中園孔二《無題》2012年　東京都現代美術館蔵。中央に描かれた2人が、暗闇の中にぼんやりと現れる複数の人に取り囲まれている様子が見て取れる。photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"加えて、「多層の景色」というセクションがあるように、中園の作品には幾層にもわたるレイヤーが存在する。中には複数の対象を描いて組み合わせながら、さらにその全体を覆うようにモチーフが描かれている作品もある。\r\n\r\nつまり距離を取って全体を見るときと、近くで見るときで、現れるものは異なってくる。そして、そうした作品が多数並ぶことで互いに影響し合い、1つの大きな「景色」が立ち現れてくる。","boxedSubBody":"","image_set":[{"image":{"id":370967,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1050,"file":"2023/08/0825Nakazono09_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono09_1312.jpg"},"caption":"中園孔二《無題》2009年 photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"展示空間の中でも圧巻と言えるのが、展示室の中央に位置する2つの壁で囲まれた空間に広がる作品群だ。大キャンバスの作品から小ぶりなものまで、100点を超える作品が壁を埋め尽くすように展示されている。","boxedSubBody":"","image_set":[{"image":{"id":371153,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1932,"file":"2024/08/0826Nakazono02_1312.jpg","sizes":{}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono02_1312.jpg"},"caption":"中園孔二《無題》2012年白木聡氏・鎌田道世氏蔵。人の中にさらに人が描かれている。photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""},{"image":{"id":371155,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1932,"file":"2024/08/0826Nakazono04_1312.jpg","sizes":{}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono04_1312.jpg"},"caption":"中園孔二《無題》2013年または 2014 年頃 photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""},{"image":{"id":371154,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1932,"file":"2024/08/0826Nakazono03_1312.jpg","sizes":{}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono03_1312.jpg"},"caption":"中園孔二《無題》2014年 photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""},{"image":{"id":371156,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1932,"file":"2024/08/0826Nakazono05_1312.jpg","sizes":{}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono05_1312.jpg"},"caption":"中園孔二《無題》制作年不明 photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio Koyama Gallery","disable_captipn":0,"alt":""}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"さらに壁に設けられた通り抜け可能な穴からは、奥の展示作品も見え隠れする。中園作品がこちらに迫ってくるように見える仕掛けとなっており、彼の作品世界の迫力をダイレクトに感じることができる。","boxedSubBody":"","image_set":[{"image":{"id":370972,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono03_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono03_1312.jpg"},"caption":"両壁を作品で埋め尽くすように展示。中園の意図した「景色」を立ち現わせる展示方法だ。photo_Kenji Takahashi","disable_captipn":0,"alt":""}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"画筆だけでなく、ときには指や肘といった身体も画材としながら絵を描いていったという中園。そうしたアプローチからも由来するのか、展示された中園の作品は躍動感に溢れ、身体性を感じさせるものが多い。\r\n\r\n身体性は、すごく要素としてあります。子どもは石を拾って触ったり、花を摘んだりと、あちこち触りますよね。大人になるとそういったことをしなくなるけれど、中園はずっと、いたるところを触っていたようです。自分の身体的な感覚に対する信頼が彼の表現の基盤としてあり、画面に表出してきていたと思います。（村岡）\r\n\r\n村岡の著書『穏やかなゴースト　画家・中園孔二を追って』に詳しく書かれているが、中園には学生時代、岩場をロープもなしに登ったり、プロジェクトに参加した際には毎晩山の中へと歩いていき、時にずぶ濡れになって帰ってきたというエピソードがある。そうした話からも、中園の身体的な感覚に対するこだわりが伺える。本展に並ぶ作品群からも、中園のそういった身体性が特徴の1つとして浮かび上がってくる。","boxedSubBody":"","image_set":[{"image":{"id":370973,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono02_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono02_1312.jpg"},"caption":"壁に設けられた穴を通して、作品の向こうにも作品が見える。photo_Kenji Takahashi","disable_captipn":0,"alt":""}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"会場にはキャンバス作品だけでなく、中園の残した多数のノートも展示されている。書き残されたそのノートのメモからは、平面だけでなくインスタレーションや映像の構想も見て取れ、彼が多岐にわたる表現を模索していたことが分かる。またデヴィッド・リンチの映画作品や大友克洋のマンガ作品など、彼が接してきたカルチャーの数々も、アトリエや自宅に残されていた資料とともに紹介している。","boxedSubBody":"","image_set":[{"image":{"id":371159,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1765,"file":"2024/08/0826Nakazono06_1312.jpg","sizes":{}},"post":369977,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/08/0826Nakazono06_1312.jpg"},"caption":"中園孔二《無題》2015年頃高松市美術館蔵。亡くなった年に制作した作品。海の上に人が立っているようにも見える。photo_Kenji Takahashi ©Koji Nakazono, Nakazono Family; courtesy Tomio 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Gallery","disable_captipn":0,"alt":""}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"会場に並ぶ作品を鑑賞していて感じるのは、その多くがどこか陰や闇を抱えたような、鬱屈とした雰囲気を帯びていることだ。中園作品にみられるモチーフや創作の動機について、村岡はこう考察する。\r\n\r\n絵を描く原動力については、簡単に言葉にできるようなものではありませんが、中園の中には推し測れない鬱屈したものはあったようで、それが暴力的な表現や恐ろしく感じるようなモティーフとして表れていたのではないか。\r\n\r\nそれが、ある時期から少しずつ変化していて、中園を近くで見ていた友人は、それを“慈しみ”という言葉で表現してくれました。どうにもならないこと、ままならない自分が絵に救われていたように、絵を観た人にとっても、自分が描いた絵が同じような存在になればいいと考えていたのかもしれない。（村岡）","boxedSubBody":"","image_set":[{"image":{"id":370974,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/08/0825Nakazono01_1312.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/08/0825Nakazono01_1312.jpg"},"caption":"彼が残したノートも多数展示。溢れ出すような彼のアイデアの一端に触れることができる。photo_Kenji 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