12:["$","$L40",null,{"post":{"id":355682,"date":"2023-04-22T11:25:32","type":"post","link":"https://casabrutus.com/categories/art/355682","title":{"rendered":"建築家ジョン・ポーソンが語る、日本での初個展｜土田貴宏の東京デザインジャーナル"},"featured_media":{"id":357172,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0422designjournal1640_1312.jpg","sizes":{"size_1256x1570":{"file":"0422designjournal1640_1312-1256x1570.jpg","width":1256,"height":1570,"mime-type":"image/jpeg","source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0422designjournal1640_1312-1256x1570.jpg"}}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0422designjournal1640_1312.jpg"},"categories":[{"id":7,"count":1594,"description":"","link":"https://wp2022.casabrutus.com/category/architecture","name":"Architecture","slug":"architecture","taxonomy":"category","meta":[],"parent":0,"term_order":3,"disable_ads":false},{"id":8,"count":2152,"description":"","link":"https://wp2022.casabrutus.com/category/art","name":"Art","slug":"art","taxonomy":"category","meta":[],"parent":0,"term_order":4,"disable_ads":false},{"id":4,"count":5721,"description":"","link":"https://wp2022.casabrutus.com/category/design","name":"Design","slug":"design","taxonomy":"category","meta":[],"parent":0,"term_order":1,"disable_ads":false}],"tags":[{"id":1357,"count":7,"description":"","link":"https://wp2022.casabrutus.com/tag/john-pawson","name":"ジョン・ポーソン","slug":"john-pawson","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":125,"count":144,"description":"","link":"https://wp2022.casabrutus.com/tag/photography","name":"写真","slug":"photography","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":3441,"count":7,"description":"","link":"https://wp2022.casabrutus.com/tag/%e5%9c%9f%e7%94%b0%e8%b2%b4%e5%ae%8f","name":"土田貴宏","slug":"%e5%9c%9f%e7%94%b0%e8%b2%b4%e5%ae%8f","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":134,"count":47,"description":"","link":"https://wp2022.casabrutus.com/tag/tokyo-design","name":"東京デザインジャーナル","slug":"tokyo-design","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""}],"serial_cat":[{"id":5775,"count":48,"description":"東京を拠点に、美しいデザインを求めて世界中を飛び回るデザインジャーナリストが今気になるのは…？","link":"https://wp2022.casabrutus.com/serial_cat/tokyo-design","name":"土田貴宏の東京デザインジャーナル","slug":"tokyo-design","taxonomy":"serial_cat","meta":[],"parent":0,"term_order":4,"category_name_html":"","writer_image":{"id":302756,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":579,"height":659,"file":"2022/04/takahiro_tsuchida-1.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/04/takahiro_tsuchida-1.jpg"},"writer_name":"土田貴宏","writer_name_kana":"つちだたかひろ","writer_profile":"　デザインジャーナリスト、ライター。家具やインテリアを中心に、デザインについて雑誌などに執筆中。学校で教えたり、展示のディレクションをすることも。","illustrator_name":"Yoshifumi Takeda","writer_category":{"term_id":4,"name":"Design","slug":"design","term_group":0,"term_taxonomy_id":4,"taxonomy":"category","description":"","parent":0,"count":5721,"filter":"raw","term_order":"1","link":"https://wp2022.casabrutus.com/category/design"}}],"cooking_expert_cat":[],"cooking_tag":[],"cityguide_cat":[],"primary_category":{"term_id":8,"name":"Art","slug":"art","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":0,"count":2152,"filter":"raw","term_order":"4","cat_ID":8,"category_count":2152,"category_description":"","cat_name":"Art","category_nicename":"art","category_parent":0,"disable_ads":false},"custom_fields":{"keyVisual":{"id":0,"alt_text":false,"caption":"現代建築界を代表するミニマリスト、ジョン・ポーソンが東京での初個展のために来日。その中心になっている写真への思いや、御影石を用いた…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"altKeyVisual":null,"layoutKeyVisual":0,"magdata":"","creditText":"April 22, 2023 | Art, Architecture, Design | casabrutus.com | photo_Satoshi Nagare text_Takahiro Tsuchida","subtitle":"現代建築界を代表するミニマリスト、ジョン・ポーソンが東京での初個展のために来日。その中心になっている写真への思いや、御影石を用いた新作のインスタレーション《Lunula》について語った。","tableOfContents":0,"tableOfContentsTitle":"","page":[{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"1996年に書籍『Minimum』を発表した頃から、ミニマリズム建築を代表する存在として知られてきたジョン・ポーソン。イギリス出身の彼は、20代に日本に滞在してデザイナーの倉俣史朗と出会った後、イギリスに戻って本格的に建築家として活動してきた。2018年には東京・表参道の〈ジルサンダー〉の旗艦店のインテリアを手がけ、国内での人気も高い。そんな彼の個展が原宿キャットストリート沿いのギャラリー〈The Mass〉で開催されている。展示の中心になっているのはポーソン自身が撮影した写真。写真に目覚めたのは最初の来日時だったが、建築の仕事をするようになってからは、目にしたものをスケッチする代わりに撮るようになったという。\r\n\r\n「私はいつも何かを見ていて、見たものを撮っています。見ていることを自覚したいし、見逃したくない。写真によってその一瞬をキャプチャーするのです。誰もが同じようにものを見ているようで、写真になると違う見方をしているのだとわかります」","boxedSubBody":"","image_set":[{"image":{"id":357172,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0422designjournal1640_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0422designjournal1640_1312.jpg"},"caption":"〈The Mass〉のそばに設置したインスタレーション《Lunula》に座るジョン・ポーソン。この空間を意識して、人が集まる場を作りたかったという。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回、展示された写真の中には、京都で見かけた破れた障子や、ロンドンでの通勤中にいつも目にするタイルの壁の割れた様子などもある。どちらも彼が特に気に入っている写真だ。人によっては見過ごすに違いない景色が、ポーソンにとっては特別な光景なのだ。撮影にはカメラを使うこともあるが、iPhoneを使うことがいちばん多い。iPhoneなら撮ることを周囲の誰も気にしないのがいいという。わずかでも周囲の雰囲気を乱すことを好まないらしい。\r\n\r\n「妻のキャサリンと一緒に歩いている時、写真を撮りたいと思ってカメラを構えても、彼女はひとりで先に行ってしまう。写真集が出て、展覧会もできて、最近は許してくれるようになりましたが」","boxedSubBody":"","image_set":[{"image":{"id":355701,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9723_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9723_1312.jpg"},"caption":"割れたタイルの壁は、ロンドン地下鉄のキングスロード駅のもの。通勤中に目にする風景だという。","disable_captipn":0},{"image":{"id":355702,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9725_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9725_1312.jpg"},"caption":"京都で撮影した、破れた障子紙。写真の多くは、iPhoneによるもの。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"約10年間にわたってポーソンが撮った数万枚もの写真の中から、320枚を選んで構成した『Spectrum』という書籍がある。2017年に発表されたこの本は、1冊を通して色によって写真を並べ、彼が見ている色彩の多彩な表情を伝えるものだ。翌年にはロンドンではこの本をベースにした写真展も開催されて話題になった。今回の個展は、その一部の作品がロンドンと同様の手法によって展示されている。","boxedSubBody":"","image_set":[{"image":{"id":355693,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9671_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9671_1312.jpg"},"caption":"『Spectrum』の写真は、撮影した場所も日時もさまざまだが、色合いによって2つずつセットで展示している。","disable_captipn":0},{"image":{"id":355697,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9715_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9715_1312.jpg"},"caption":"『Spectrum』より。","disable_captipn":0},{"image":{"id":355698,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9718_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9718_1312.jpg"},"caption":"『Spectrum』より。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「壁にフレームを設置すると平面的になってしまう。ロンドンの展示では、320枚すべてをワイヤーで吊ってその間を人が歩けるようにし、立体的に作品を楽しめる空間にしました。フレームは両面に写真を入れています」\r\n\r\nThe Massには3つの展示室があり、そのうち2つの展示室でこの展示方法が採用された。一方は白、一方は黒をベースにした写真のみで構成されている。もうひとつの展示室では赤、青、グレーなど同じ色合いの2枚組になった写真を8組展示し、『Spectrum』のコンセプトを伝えた。\r\n\r\n「もっとスペースがあれば、京都の三十三間堂のようにたくさんの写真を並べたかったのですが（笑）」","boxedSubBody":"","image_set":[{"image":{"id":355688,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9658_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9658_1312.jpg"},"caption":"写真の組み合わせは、色合いによって並べ替えた上で、自然に決まっていった。","disable_captipn":0},{"image":{"id":355689,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9659_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9659_1312.jpg"},"caption":"2階展示室より。","disable_captipn":0},{"image":{"id":355687,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9654_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9654_1312.jpg"},"caption":"2階展示室より。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回の個展では、「Home」と題した新しいシリーズも展示されている。25年前にポーソンが設計したロンドンの自宅と、郊外のコッツウォールズの農家をリノベーションしたもうひとつの自宅をテーマにした写真だ。一連の作品を、彼はセルフポートレートと呼ぶ。\r\n\r\n「どれもとてもパーソナルな作品です。建築家の仕事には通常はクライアントがありますが、自分の家はつくる過程も、そこで過ごす時間も、まったく違う。それを自分自身で撮っている。だからセルフポートレートなんです」\r\n\r\nこちらはすべてモノクロームで、それぞれに光の表情が印象的だ。その空間について知り尽くしている人が、長い時間を過ごす中で捉えた一瞬の光、という感じがする。\r\n\r\n「色々な時間帯の写真を撮っていて、その中から選びました。特にCOVIDの頃はずっと家にいたので本当にたくさん撮りました。インスタグラムに家の写真ばかり1000枚以上も投稿したので、よくバッシングされなかったと思います（笑）」","boxedSubBody":"","image_set":[{"image":{"id":355694,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9675_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9675_1312.jpg"},"caption":"「Home」より。3年前からリノベーションしている暮らしている、ロンドン郊外のコッツウォルズにある家の室内。","disable_captipn":0},{"image":{"id":355700,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9722_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9722_1312.jpg"},"caption":"「Home」より。 3年前からリノベーションしている暮らしている、ロンドン郊外のコッツウォルズにある家の室内。","disable_captipn":0},{"image":{"id":355691,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9669_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9669_1312.jpg"},"caption":"「Home」より。 25年前に設計したロンドン市内にある自宅の様子。","disable_captipn":0},{"image":{"id":355699,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9720_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9720_1312.jpg"},"caption":"「Home」より。 25年前に設計したロンドン市内にある自宅の様子。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回、新作として発表された《Lunula》は、The Massに隣接する〈StandBy〉の空間のために作られたインスタレーション。円弧型の家具のような作品で、数人が座れるほどの大きさがあり、中央の石の塊にはお香の煙が立ち上る。素材は御影石で総重量4.5トン。同じポーソンの作品であっても、光や色にフォーカスした写真とは対照的に見える。\r\n\r\n「しかしまったく違う作品だとは考えていません。どの作品にも関連があり、私にとってはすべてが建築です。私は建物のほかにもグラス、ラグ、テーブル、インテリア、ボートの内装やバレエの舞台もデザインしていますが、それは変わりません」\r\n\r\n写真を立体的に構成するのも、建築的な発想と言える。自邸の写真は建築を表現したものであり、《Lunula》は人が過ごす場をつくっている。いずれも建築そのものではないが、ポーソンにとってはそんな領域も含めて「建築」ということだろう。彼独自のミニマルな作風が、豊かな広がりと多様なインスピレーションに裏づけられていることがわかる。\r\n\r\n「ずっと自分がやりたいことをしてきました。建物も写真も、自分が好きなものを、他の誰かも好きになってくれて、それが仕事になっているのは幸運なことです。そんな意味では今回の展覧会は、全体がセルフポートレートなのかもしれません」","boxedSubBody":"","image_set":[{"image":{"id":355683,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9602_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9602_1312.jpg"},"caption":"〈The Mass〉のそばの〈StandBy〉に設置された《Lunula》。素材は黒い御影石で4.5トンもの重さがある。","disable_captipn":0},{"image":{"id":355696,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9713_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9713_1312.jpg"},"caption":"小さな建築を思わせるインスタレーション《Luana》。","disable_captipn":0},{"image":{"id":355695,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9688_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9688_1312.jpg"},"caption":"《Lunula》の中央にお香があることについては、「強い存在感と重量感のある作品なので、もうひとつの感覚を加えたかった」という。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":355690,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9666_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9666_1312.jpg"},"caption":"荒木信雄が設計した〈The 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Mass〉で開催されている。展示の中心になっているのはポーソン自身が撮影した写真。写真に目覚めたのは最初の来日時だったが、建築の仕事をするようになってからは、目にしたものをスケッチする代わりに撮るようになったという。\r\n\r\n「私はいつも何かを見ていて、見たものを撮っています。見ていることを自覚したいし、見逃したくない。写真によってその一瞬をキャプチャーするのです。誰もが同じようにものを見ているようで、写真になると違う見方をしているのだとわかります」","boxedSubBody":"","image_set":[{"image":{"id":357172,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0422designjournal1640_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0422designjournal1640_1312.jpg"},"caption":"〈The Mass〉のそばに設置したインスタレーション《Lunula》に座るジョン・ポーソン。この空間を意識して、人が集まる場を作りたかったという。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回、展示された写真の中には、京都で見かけた破れた障子や、ロンドンでの通勤中にいつも目にするタイルの壁の割れた様子などもある。どちらも彼が特に気に入っている写真だ。人によっては見過ごすに違いない景色が、ポーソンにとっては特別な光景なのだ。撮影にはカメラを使うこともあるが、iPhoneを使うことがいちばん多い。iPhoneなら撮ることを周囲の誰も気にしないのがいいという。わずかでも周囲の雰囲気を乱すことを好まないらしい。\r\n\r\n「妻のキャサリンと一緒に歩いている時、写真を撮りたいと思ってカメラを構えても、彼女はひとりで先に行ってしまう。写真集が出て、展覧会もできて、最近は許してくれるようになりましたが」","boxedSubBody":"","image_set":[{"image":{"id":355701,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9723_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9723_1312.jpg"},"caption":"割れたタイルの壁は、ロンドン地下鉄のキングスロード駅のもの。通勤中に目にする風景だという。","disable_captipn":0},{"image":{"id":355702,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9725_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9725_1312.jpg"},"caption":"京都で撮影した、破れた障子紙。写真の多くは、iPhoneによるもの。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"約10年間にわたってポーソンが撮った数万枚もの写真の中から、320枚を選んで構成した『Spectrum』という書籍がある。2017年に発表されたこの本は、1冊を通して色によって写真を並べ、彼が見ている色彩の多彩な表情を伝えるものだ。翌年にはロンドンではこの本をベースにした写真展も開催されて話題になった。今回の個展は、その一部の作品がロンドンと同様の手法によって展示されている。","boxedSubBody":"","image_set":[{"image":{"id":355693,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9671_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9671_1312.jpg"},"caption":"『Spectrum』の写真は、撮影した場所も日時もさまざまだが、色合いによって2つずつセットで展示している。","disable_captipn":0},{"image":{"id":355697,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9715_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9715_1312.jpg"},"caption":"『Spectrum』より。","disable_captipn":0},{"image":{"id":355698,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9718_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9718_1312.jpg"},"caption":"『Spectrum』より。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「壁にフレームを設置すると平面的になってしまう。ロンドンの展示では、320枚すべてをワイヤーで吊ってその間を人が歩けるようにし、立体的に作品を楽しめる空間にしました。フレームは両面に写真を入れています」\r\n\r\nThe Massには3つの展示室があり、そのうち2つの展示室でこの展示方法が採用された。一方は白、一方は黒をベースにした写真のみで構成されている。もうひとつの展示室では赤、青、グレーなど同じ色合いの2枚組になった写真を8組展示し、『Spectrum』のコンセプトを伝えた。\r\n\r\n「もっとスペースがあれば、京都の三十三間堂のようにたくさんの写真を並べたかったのですが（笑）」","boxedSubBody":"","image_set":[{"image":{"id":355688,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9658_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9658_1312.jpg"},"caption":"写真の組み合わせは、色合いによって並べ替えた上で、自然に決まっていった。","disable_captipn":0},{"image":{"id":355689,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9659_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9659_1312.jpg"},"caption":"2階展示室より。","disable_captipn":0},{"image":{"id":355687,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9654_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9654_1312.jpg"},"caption":"2階展示室より。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回の個展では、「Home」と題した新しいシリーズも展示されている。25年前にポーソンが設計したロンドンの自宅と、郊外のコッツウォールズの農家をリノベーションしたもうひとつの自宅をテーマにした写真だ。一連の作品を、彼はセルフポートレートと呼ぶ。\r\n\r\n「どれもとてもパーソナルな作品です。建築家の仕事には通常はクライアントがありますが、自分の家はつくる過程も、そこで過ごす時間も、まったく違う。それを自分自身で撮っている。だからセルフポートレートなんです」\r\n\r\nこちらはすべてモノクロームで、それぞれに光の表情が印象的だ。その空間について知り尽くしている人が、長い時間を過ごす中で捉えた一瞬の光、という感じがする。\r\n\r\n「色々な時間帯の写真を撮っていて、その中から選びました。特にCOVIDの頃はずっと家にいたので本当にたくさん撮りました。インスタグラムに家の写真ばかり1000枚以上も投稿したので、よくバッシングされなかったと思います（笑）」","boxedSubBody":"","image_set":[{"image":{"id":355694,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9675_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9675_1312.jpg"},"caption":"「Home」より。3年前からリノベーションしている暮らしている、ロンドン郊外のコッツウォルズにある家の室内。","disable_captipn":0},{"image":{"id":355700,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/04/0418designjournal9722_1312.jpg","sizes":{}},"post":355682,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/04/0418designjournal9722_1312.jpg"},"caption":"「Home」より。 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