12:["$","$L46",null,{"post":{"id":339581,"date":"2023-01-05T12:25:37","type":"post","link":"https://casabrutus.com/categories/art/339581","title":{"rendered":"写真家・藤原新也は世界をどう捉えてきたのか ── 50年のキャリアと250点超の作品から見えるもの。"},"featured_media":{"id":340381,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara12_1312.jpg","sizes":{"size_1256x1570":{"file":"1228Fujiwara12_1312-1256x1570.jpg","width":1256,"height":1570,"mime-type":"image/jpeg","source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara12_1312-1256x1570.jpg"}}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara12_1312.jpg"},"categories":[{"id":8,"count":2158,"description":"","link":"https://wp2022.casabrutus.com/category/art","name":"Art","slug":"art","taxonomy":"category","meta":[],"parent":0,"term_order":4,"disable_ads":false},{"id":3,"count":915,"description":"","link":"https://wp2022.casabrutus.com/category/culture","name":"Culture","slug":"culture","taxonomy":"category","meta":[],"parent":0,"term_order":8,"disable_ads":false},{"id":9,"count":1274,"description":"","link":"https://wp2022.casabrutus.com/category/travel","name":"Travel","slug":"travel","taxonomy":"category","meta":[],"parent":0,"term_order":7,"disable_ads":false}],"tags":[{"id":14234,"count":1,"description":"","link":"https://wp2022.casabrutus.com/tag/%e3%83%a1%e3%83%a1%e3%83%b3%e3%83%88%e3%83%bb%e3%83%a2%e3%83%aa","name":"メメント・モリ","slug":"%e3%83%a1%e3%83%a1%e3%83%b3%e3%83%88%e3%83%bb%e3%83%a2%e3%83%aa","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":2656,"count":14,"description":"","link":"https://wp2022.casabrutus.com/tag/%e4%b8%96%e7%94%b0%e8%b0%b7%e7%be%8e%e8%a1%93%e9%a4%a8","name":"世田谷美術館","slug":"%e4%b8%96%e7%94%b0%e8%b0%b7%e7%be%8e%e8%a1%93%e9%a4%a8","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":14236,"count":1,"description":"","link":"https://wp2022.casabrutus.com/tag/%e5%8d%b0%e5%ba%a6%e6%94%be%e6%b5%aa","name":"印度放浪","slug":"%e5%8d%b0%e5%ba%a6%e6%94%be%e6%b5%aa","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":14235,"count":1,"description":"","link":"https://wp2022.casabrutus.com/tag/%e6%9d%b1%e4%ba%ac%e6%bc%82%e6%b5%81","name":"東京漂流","slug":"%e6%9d%b1%e4%ba%ac%e6%bc%82%e6%b5%81","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":14233,"count":1,"description":"","link":"https://wp2022.casabrutus.com/tag/%e8%97%a4%e5%8e%9f%e6%96%b0%e4%b9%9f","name":"藤原新也","slug":"%e8%97%a4%e5%8e%9f%e6%96%b0%e4%b9%9f","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""}],"serial_cat":[],"cooking_expert_cat":[],"cooking_tag":[],"cityguide_cat":[],"primary_category":{"term_id":8,"name":"Art","slug":"art","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":0,"count":2158,"filter":"raw","term_order":"4","cat_ID":8,"category_count":2158,"category_description":"","cat_name":"Art","category_nicename":"art","category_parent":0,"disable_ads":false},"custom_fields":{"keyVisual":{"id":340370,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":2560,"height":1763,"file":"2024/12/1228Fujiwara01_2624-scaled.jpg","sizes":{},"original_image":"1228Fujiwara01_2624.jpg"},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara01_2624-scaled.jpg"},"altKeyVisual":null,"layoutKeyVisual":1,"magdata":"","creditText":"January 5, 2023 | Art, Culture, Travel | casabrutus.com | photo_Kohei Omachi text_Shunta Ishigami","subtitle":"写真家・藤原新也の公立美術館初となる大規模展『祈り・藤原新也』が、〈世田谷美術館〉で開催中。50年超におよぶキャリアのなかで、藤原はいかに写真や制作と向き合い、何を考えてきたのか ── 言葉や被写体、経済などいくつもの観点から、藤原のこれまでを捉えなおす。\r\n","tableOfContents":null,"tableOfContentsTitle":null,"page":[{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"写真家・藤原新也は50年以上にわたって無数の作品を発表してきた。キャリア初期には『印度放浪』をはじめアジア各地を捉えた作品を発表し、1980年代に刊行された『東京漂流』や『メメント・モリ』といった書籍は、同時代の若者のバイブルとなった。アジアのみならず世界各地で撮影した作品も発表するほか、山口百恵やAKB48といった時代の顔を捉えたかと思えば、東日本大震災の被災地やハロウィンに沸く渋谷にもカメラを向け、今もなお写真をはじめ文筆、絵画、書と、あらゆるメディアを越境し続けている。\r\n\r\n2023年1月29日まで〈世田谷美術館〉で開催されている『祈り・藤原新也』は、そんな藤原にとって初となる公立美術館での大規模展だ。会場にはキャリア初期から現在に至るまで、250点超の作品が展示されているが、決して単なる「回顧展」ではなく、タイトルに冠された「祈り」というキーワードのもとで、新たなストーリーが紡ぎ出されている。","boxedSubBody":"","image_set":[{"image":{"id":340381,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara12_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara12_1312.jpg"},"caption":"展示作品の前に立つ藤原。『祈り・藤原新也』は2023年1月29日まで〈世田谷美術館〉にて開催中。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":340392,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara23_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara23_1312.jpg"},"caption":"インドで撮影した写真から、「祈り」というキーワードは生まれた。","disable_captipn":0},{"image":{"id":340389,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara20_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara20_1312.jpg"},"caption":"「ニンゲンは犬に食われるほど自由だ」というキャプションとともに発表されたこの写真は、当時大きな話題を呼んだ。","disable_captipn":0},{"image":{"id":340371,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara02_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara02_1312.jpg"},"caption":"「メメント・モリ」という言葉も、藤原の作品によって広く知られたと言えるかもしれない。","disable_captipn":0},{"image":{"id":340369,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara01_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara01_1312.jpg"},"caption":"インドで撮影された写真はどれも、死と生の両方を感じさせるもの。","disable_captipn":0},{"image":{"id":340779,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/0103Fujiwara03_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/0103Fujiwara03_1312.jpg"},"caption":"写真だけでなく、文筆や書、絵画など、多彩な作品を展示する。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「展示のオファーは5〜6年前にもらっていたのだけど、ぼくは回顧するのが嫌いで自分の本さえ読み返さないから、過去に向かうような回顧展にはしたくなかった。ただ3〜4年前にインドで撮った夜明けの写真を見たときに、ふと思い浮かんだ『祈り』という言葉がしっくりきたんだ。そして祈りという言葉から過去の作品を見ると、すべてが違って見えた。写真を見て思い浮かんだということは、ぼくの写真のなかに何か祈りのようなものがあるんだろうね」","boxedSubBody":"","image_set":[{"image":{"id":340391,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2024/12/1228Fujiwara22_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara22_1312.jpg"},"caption":"インドは藤原にとって特別な被写体のひとつといえるだろう。","disable_captipn":0},{"image":{"id":340778,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2024/12/0103Fujiwara02_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/0103Fujiwara02_1312.jpg"},"caption":"本展は大きく引き伸ばされた蓮の写真から始まる。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"かように「祈り」というキーワードは反射的に生まれたものだが、もとより藤原にとって言葉は「声」のように写真から響いてくるものだったようだ。前述の『メメント・モリ』も写真を見て思い浮かんだ言葉を書き留める方法でつくられたものであり、そんなリフレクションからこれまでの藤原の作品は生まれてきたのだという。\r\n\r\nしばしば写真と言葉はお互いを説明しあうような関係性をつくりがちだが、「今回の展示に合わせてつくった写真集も、お経のようなものを再現したくて写真に言葉を合わせていったんだ」と語るように、藤原にとって両者は、音や身体を通じて繋がっているものなのだろう。","boxedSubBody":"","image_set":[{"image":{"id":340398,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara29_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara29_1312.jpg"},"caption":"写真と言葉が合わせて展示されていることが、本展の特徴のひとつ。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「ただ、実際に展示する作品は論理やインテリジェンスじゃなくて生理で選んだもの。普通の写真家は自分のスタイルが決まっているから写真の良し悪しだけで選べるけど、ぼくの場合は決まったトーンがあるわけじゃないし散らかり放題。だから感覚的に選ぶなかで、なんとかこの展示の流れが生まれたともいえるかもしれない」\r\n\r\nそう藤原が振り返るように、本展に並べられた作品は実に多様だ。見ようによっては時系列やテーマごとに展示されているようにも思えるかもしれないが、決してそれは線的なものではなく、さまざまな被写体を捉えた作品が有機的に入り混じっているように感じられる。それは藤原が被写体に合わせて自身を柔軟に変化させてきたからでもあるのだろう。","boxedSubBody":"","image_set":[{"image":{"id":340394,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara25_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara25_1312.jpg"},"caption":"チベットではポラロイドを使った作品も制作した。","disable_captipn":0},{"image":{"id":340395,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara26_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara26_1312.jpg"},"caption":"イスタンブールにて撮影した写真群。藤原は世界各地で撮影を続けてきた。","disable_captipn":0},{"image":{"id":340782,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/0103Fujiwara04_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/0103Fujiwara04_1312.jpg"},"caption":"近年にインドで行ったパフォーマンスで手がけた書。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「被写体が変わればカメラも変わるし、フォーマットも意識も変わる。ぼくが対象を選んでいるのではなくて、対象がぼくを選んでいるんだ。同じフォーマットや同じトーンで撮り続けていても、面白くないでしょう。編集者やアートディレクターからすれば、決まったスタイルがある方が安心かもしれないけどね。\r\n\r\nでも昔の雑誌編集者は人と同じことをやろうとしなかった。ぼくがアジアを撮り続けていたからこそ、別のものを撮らせようとする人もいた。今は編集者も写真家もお互いに甘えているのかもしれないね」","boxedSubBody":"","image_set":[{"image":{"id":340384,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara15_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara15_1312.jpg"},"caption":"アメリカで撮影した写真。撮影地が異なると写真のトーンも大きく変わるのが印象的だ。","disable_captipn":0},{"image":{"id":340396,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara27_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara27_1312.jpg"},"caption":"同じくアメリカで撮影した写真。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"加えて藤原は、ジャーナリストとアーティストの視点を柔軟に切り替えながら撮影に臨んでいることを明かす。報道の現場となるような事件や事故はアーティスティックに、逆に指原莉乃や大島優子といったアイドルは事件のように撮影しているのだという。事実、藤原が撮影した東日本大震災の現場には、悲惨な風景のなかにどこか美さえも感じさせるものがあり、一方で、雨に濡れた大島優子の姿はつくられたアイドルのイメージというより、ドキュメンタリーのようにも思える。","boxedSubBody":"","image_set":[{"image":{"id":340375,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara06_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara06_1312.jpg"},"caption":"バリ島の自然を写した写真群（中央および右手）。アジアを捉えた写真は色彩豊かで、現地の空気感を強く想起させる。","disable_captipn":0},{"image":{"id":340374,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara05_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara05_1312.jpg"},"caption":"藤原は35mmのカメラと単焦点レンズを持ってアジアを撮影することが多かったという。","disable_captipn":0},{"image":{"id":340397,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara28_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-cont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meoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"『印度放浪』や『東京漂流』、『メメント・モリ』といった作品が広く受容されたため、しばしば藤原は「アジア」や「日本」といった文脈で論じられてしまうが、彼が常に同時代の情報環境へ鋭い眼差しを向けていたことを無視してはなるまい。2011年に藤原が立ち上げた有料会員制ウェブサイトは2020年代のオンラインサロンブームを予見していたとも言えるし、さらに同サイトがひたすら有料会員を増やすのではなく、当初から2,000人という上限を設けていたことは、注目に値すべきことだ。","boxedSubBody":"","image_set":[{"image":{"id":340382,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara13_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara13_1312.jpg"},"caption":"藤原は常に時代の最先端へ目を向け続けている。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":340373,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2024/12/1228Fujiwara04_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara04_1312.jpg"},"caption":"父の最期を看取る作品など、自身のプライベートな世界も展示されている。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「ぼくは1990年代からブログを書いていたから、ただ記事を書くのではなく換金しなければいけないと思っていた。そこで、会員制を設けたら、読者から取材費をもらいながら記事を還元するという健全な状態をつくれるんじゃないかと思ったんだよね。\r\n\r\nただ、当時ぼくのブログは2万ビューほどのアクセスがあって、読者とのコミュニケーションが難しい状況にあった。ネットの面白さは双方向性にあると思っていたから、お互いに同じ目線で語り合えるような環境をつくるために2,000人という上限を設けたんです。ぼくの目的はあくまでも健全な空間をつくることにある。ちゃんとお金を循環させて、双方向のコミュニケーションを成立させることが大事なんだ」","boxedSubBody":"","image_set":[{"image":{"id":340372,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2024/12/1228Fujiwara03_1312.jpg","sizes":{}},"post":339581,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2024/12/1228Fujiwara03_1312.jpg"},"caption":"藤原はときに自身のルーツを辿るような作品も発表してきた。福岡県門司市（現：北九州市）に暮らした幼少期をイメージした作品。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"こうした藤原の感覚は今でこそ当たり前かもしれないが、彼が会員制サイトを始めた2011年は、日本でようやくTwitterのようなSNSが人口に膾炙していった時期であり、時代の流れに先駆けていたことは疑いがないだろう。\r\n\r\nインターネットやSNSの普及により私たちを取り巻く情報環境や価値の消費が変わっていくなかで、いかに健全な制作のための環境を構築できるのか ── 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