12:["$","$L40",null,{"post":{"id":333922,"date":"2022-12-08T16:25:24","type":"post","link":"https://casabrutus.com/categories/art/333922","title":{"rendered":"中﨑透がみんなの記憶と一緒に作る、ぼやっとした歴史の総体とは？｜青野尚子の今週末見るべきアート"},"featured_media":{"id":335638,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1843_1312.jpg","sizes":{"size_1256x1570":{"file":"1205NAKAZAKITOHRU1843_1312-1256x1570.jpg","width":1256,"height":1570,"mime-type":"image/jpeg","source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1843_1312-1256x1570.jpg"}}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1843_1312.jpg"},"categories":[{"id":8,"count":2155,"description":"","link":"https://wp2022.casabrutus.com/category/art","name":"Art","slug":"art","taxonomy":"category","meta":[],"parent":0,"term_order":4,"disable_ads":false}],"tags":[{"id":12319,"count":4,"description":"","link":"https://wp2022.casabrutus.com/tag/%e4%b8%ad%ef%a8%91%e9%80%8f","name":"中﨑透","slug":"%e4%b8%ad%ef%a8%91%e9%80%8f","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":1112,"count":9,"description":"","link":"https://wp2022.casabrutus.com/tag/art-tower-mito","name":"水戸芸術館","slug":"art-tower-mito","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""},{"id":2093,"count":7,"description":"","link":"https://wp2022.casabrutus.com/tag/%e6%b0%b4%e6%88%b8%e8%8a%b8%e8%a1%93%e9%a4%a8-%e7%8f%be%e4%bb%a3%e7%be%8e%e8%a1%93%e3%82%ae%e3%83%a3%e3%83%a9%e3%83%aa%e3%83%bc","name":"水戸芸術館現代美術ギャラリー","slug":"%e6%b0%b4%e6%88%b8%e8%8a%b8%e8%a1%93%e9%a4%a8-%e7%8f%be%e4%bb%a3%e7%be%8e%e8%a1%93%e3%82%ae%e3%83%a3%e3%83%a9%e3%83%aa%e3%83%bc","taxonomy":"post_tag","meta":[],"label_for_button_in_post":""}],"serial_cat":[{"id":5771,"count":88,"description":"古典から現代アートまで、開催中の「見るべき展覧会」を徹底リポート。見どころがわかります。","link":"https://wp2022.casabrutus.com/serial_cat/art-review","name":"青野尚子の今週末見るべきアート","slug":"art-review","taxonomy":"serial_cat","meta":[],"parent":0,"term_order":3,"category_name_html":"青野尚子の
今週末見るべきアート","writer_image":{"id":302766,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":579,"height":659,"file":"2022/04/naoko_aono-2.jpg","sizes":{}},"post":null,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2022/04/naoko_aono-2.jpg"},"writer_name":"青野尚子","writer_name_kana":"あおのなおこ","writer_profile":"　ライター。アート、建築関係を中心に活動。共著に『新・美術空間散歩』（日東書院新社）、『背徳の西洋美術史』（池上英洋と共著、エムディエヌコーポレーション）、『美術でめぐる西洋史年表』（池上英洋と共著、新星出版社）。","illustrator_name":"Yoshifumi Takeda","writer_category":{"term_id":8,"name":"Art","slug":"art","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":0,"count":2155,"filter":"raw","term_order":"4","link":"https://wp2022.casabrutus.com/category/art"}}],"cooking_expert_cat":[],"cooking_tag":[],"cityguide_cat":[],"primary_category":{"term_id":8,"name":"Art","slug":"art","term_group":0,"term_taxonomy_id":8,"taxonomy":"category","description":"","parent":0,"count":2155,"filter":"raw","term_order":"4","cat_ID":8,"category_count":2155,"category_description":"","cat_name":"Art","category_nicename":"art","category_parent":0,"disable_ads":false},"custom_fields":{"keyVisual":{"id":335717,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":2560,"height":1706,"file":"2023/11/1205NAKAZAKITOHRU1832_2624-scaled.jpg","sizes":{},"original_image":"1205NAKAZAKITOHRU1832_2624.jpg"},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1832_2624-scaled.jpg"},"altKeyVisual":null,"layoutKeyVisual":1,"magdata":"","creditText":"December 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Kusano","subtitle":"みんなのぼんやりとした記憶を集めたり、奇妙な契約のある「看板」を作る中﨑透。茨城県の〈水戸芸術館現代美術ギャラリー〉で、彼にとって美術館初の個展が開催されています。テーマは彼が育ち、拠点としている「水戸」。“ホーム”といえる場所で彼が見せるものとは？","tableOfContents":null,"tableOfContentsTitle":null,"page":[{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"『越後妻有　大地の芸術祭』など各地の芸術祭でも人気の中﨑透。水戸で産声をあげ、高校卒業までの大半を水戸で過ごした。東京の大学・大学院で美術を学び、2007年からは水戸に戻り、今もそこを拠点にしている。〈水戸芸術館〉には観客としてだけでなく、アーティストとしても関わってきた。水戸市内では他にも〈水戸のキワマリ荘〉でオルタナティブ・スペース〈遊戯室（中﨑透＋遠藤水城）〉を設立するなど、キュレーター的な活動もしている。","boxedSubBody":"","image_set":[{"image":{"id":335649,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2108_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2108_1312.jpg"},"caption":"《Ie, home or house, yes or no, or yeah!!》の前の中﨑透。「家（イエ）」という音はYES、否定のいえいえ、かけ声などに聞こえる。家制度など社会的な事柄も考えさせる。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回の個展は、一言で言ってしまえば彼の代表作を網羅した回顧展だ。が、ことはそう単純ではない。会場の壁にはあちこちにテキストが掲げられている。これは、水戸をモチーフにした中﨑の新作《フィクション・トラベラー》だ。水戸や〈水戸芸術館〉に関する思い出や、時にはっきりしないこともある個人的な記憶の断片が綴られている。","boxedSubBody":"","image_set":[{"image":{"id":334199,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1887_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1887_1312.jpg"},"caption":"ウェルカム感満載の会場入口。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"《フィクション・トラベラー》は5人のさまざまな年代の水戸在住者へのインタビューをもとにしたもの。テキストは中﨑の旧作と語り会うように、展示室中に散りばめられている。これまでも彼はその場所に関係のある人々にインタビューを行い、それを元にしたインスタレーションなどを発表してきた。","boxedSubBody":"","image_set":[{"image":{"id":334208,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1927_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1927_1312.jpg"},"caption":"《フィクション・トラベラー》。5人の男女が語った、水戸や〈水戸芸術館〉の記憶から引用されている。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":335641,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1903_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1903_1312.jpg"},"caption":"インタビューを元にしたプロジェクト《フィクション・トラベラー》の中である人が口にした「全然覚えていない」というフレーズを描いた。","disable_captipn":0},{"image":{"id":335650,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2111_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2111_1312.jpg"},"caption":"同じく《フィクション・トラベラー》中の「覚えてる」を作品化。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回は展示の最後にインタビュー相手の名前が記載されているが、個々人の属性や誰がどのテキストを語ったのかは特定しにくい。中﨑の過去作品でも語り手は記載されていない。が、話の内容から話者を推測することはできる。","boxedSubBody":"","image_set":[{"image":{"id":335643,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1920_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1920_1312.jpg"},"caption":"手前の構築物は《エピソード：鼻歌まじりの引越の時間はいつかは終わる。だから僕はなるべく回り道をする。》。2011年の暮れに大阪で展示した作品の再制作。当時、制作・発表したギャラリーの2階の床にあいていた穴までも再現している。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":334194,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1863_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1863_1312.jpg"},"caption":"《エピソード：鼻歌まじりの引越の時間はいつかは終わる。だから僕はなるべく回り道をする。》、2階の穴を見下ろすとさまざまなものが雑多に積まれているのが見える。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「同じ出来事でも人によってバラバラな話になることってありますよね。別にウソをついているわけではなく、単に忘れていたり、認識が違ったりすることってよくある。歴史というのは過ぎてしまうと一本の線のように見えてくることがあるけれど、話者を明示しないのはそれへの抵抗なんです。歴史って複数のものが何重にも絡み合っているものだと思うから、ぼやっとした総体であってほしい。壁のテキストもぼやっとした輪郭を作りたくて、こうしています」","boxedSubBody":"","image_set":[{"image":{"id":334205,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1916_13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On KAWARA》。瓦が多く生産されている福岡県筑後地域で制作した、瓦の形の作品。中﨑は武蔵野美術大学油絵科に在籍していたが、陶芸のサークル「窯工部（ようこうぶ）」でも活動していた。展示には自作の器も並ぶ。\r\n","disable_captipn":0},{"image":{"id":334248,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU2121_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU2121_1312.jpg"},"caption":"《Datepaiting On KAWARA》。毎日、その日の日付だけをキャンバスに描いた河原温「Date Painting」へのオマージュ。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"両親は小さい頃から〈水戸芸術館〉以外の美術館にはよく連れていってくれたという。が、〈水戸芸術館〉は「よくわからなくて」あまり来ていなかった。中﨑は高校のときは毎週のように訪れて芝生の広場でくつろいだりしていたが、意識して展示を観るようになったのは美大を目指してからだという。それから約20年経った今も中﨑の口からはジェニー・ホルツァー、ジェームズ・タレル、ダニエル・ビュレン、ジョン・ケージなど当時見た展示作家の名前が次々に出てくる。〈水戸芸術館〉で展示されてきた現代美術は彼に強い印象を残したようだ。\r\n","boxedSubBody":"","image_set":[{"image":{"id":334213,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1951_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1951_1312.jpg"},"caption":"プロジェクトの際は主催者やキュレーターたちとアイデアを共有するため、スケッチを描く。","disable_captipn":0},{"image":{"id":334233,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU2025_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU2025_1312.jpg"},"caption":"この個展のためのスケッチ。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「水戸芸術館の展覧会を見ていて、いわゆる“受験絵画”とは違うものがあることに気づいた。自分でも気がつかないうちに影響を受けていたと思います」\r\n\r\n“受験絵画”とは正確なデッサンを重んじた、写実的な絵画のこと。美大の受験には必須の技術だ。卒業制作にも「100号（約1メートル×1.6メートル）の油彩画を2点提出するのが理想的」といった暗黙の了解もあった。が、中﨑が卒業するころにはその“暗黙の了解”が少しずつ崩れてきて、伝統的な絵画ではない作品を提出する学生も出てきたという。そこで彼が卒業制作として作ったのが「看板屋なかざき」のシリーズだった。\r\n","boxedSubBody":"","image_set":[{"image":{"id":335646,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1971_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1971_1312.jpg"},"caption":"《fall》。東日本大震災後に作った作品の一つ。水がバケツやパイプを循環している。\r\n","disable_captipn":0},{"image":{"id":335647,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1980_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1980_1312.jpg"},"caption":"《4 Colors Line / Ski》。昨年、札幌のギャラリー〈salon cojica〉で開いた個展『Poolside Snowman』の再構成。","disable_captipn":0},{"image":{"id":335648,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1985_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1985_1312.jpg"},"caption":"《stamp》。東日本大震災後の作品。中﨑は2017年にも札幌とスキーの関係を探るプロジェクトを行っている。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「看板屋なかざき」は、中﨑が他の誰かと「契約」して作るアートだ。看板にはそれぞれ依頼者がいて、彼らと契約書を取り交わしている。契約書には依頼者がごく少額だが対価を支払うこと、看板に必ず書いてほしい文言、全体の雰囲気や使ってほしい色などの希望事項が書かれている。できあがった看板は依頼者が必須とした文言は入っているけれど、最終的な決定権は中﨑にある。対価を受けとっているにもかかわらず、だ。契約というのは一般的に依頼者のほうに決定権があるはずなのに、ここではねじれが生じている。","boxedSubBody":"","image_set":[{"image":{"id":335640,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1875_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1875_1312.jpg"},"caption":"「看板」のタワーが立つ展示室。地方のスナックの看板のようなチープさに、なぜか惹きつけられてしまう。","disable_captipn":0},{"image":{"id":335642,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1907_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1907_1312.jpg"},"caption":"美大の卒業制作として発表した「看板屋なかざき」の様子。学生100人から依頼を受け、看板や契約書などを展示した。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「『看板屋なかざき』は依頼者の思い通りにならない、理不尽な契約なんです。わざとずらした関係を作ろうとしている」\r\n\r\n「看板」は中﨑の思い通りにもならない。色彩も構図もわざと、中﨑が特に好きでもないものにすることもある。\r\n\r\n「絵画に他者が入ってくる、ということに自分でもびっくりしました」と中﨑は言う。\r\n\r\n","boxedSubBody":"","image_set":[{"image":{"id":335639,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1855_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1855_1312.jpg"},"caption":"奥の壁に並ぶのはワークショップで制作した看板の数々。依頼者からの記載必須事項は書くけれど、図案の最終決定権は中﨑にある。","disable_captipn":0},{"image":{"id":335661,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1976_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1976_1312.jpg"},"caption":"《看板屋なかざき》。世界の都市名をカタカナ表記し、それを五十音順に並べた。その都市のイメージとデザインとはあまり関係がない。そもそもカタカナにした時点で、元の都市とは違うものになっているかもしれない。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"中﨑が近年手がけている、蛍光灯による人体彫刻のシリーズは「看板」と関係がなさそうでいて実はつながっている。一般に看板はその建物で行われている事業などを示すラベルのようなものだけれど、「たとえば人はビールでも他の飲料でも、味を覚えているのか、それともラベルで認識しているのだろうかな、と思うんですよね」と中﨑はいう。\r\n\r\n「人間も『他人から見た自分』と『自分で思う自らの像』の2つがせめぎ合ってできているのでは。その表面のラベリング、イメージの部分をわざとずらしたり切り離したりしてみようと思った。ある意味では『看板』と近い作品なんです。『看板』は表面のイメージだけが見える作品ですが、サインって質量がない。もし信号機が地面に置かれていたら、いつもは高い所に浮いているとは思えないぐらいの大きさに驚くと思います。信号機には質量も実体もあるのに、僕たちは表面だけを見えている」\r\n","boxedSubBody":"","image_set":[{"image":{"id":335638,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1843_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1843_1312.jpg"},"caption":"近作の蛍光灯による人体彫刻。透明な表面は皮膚に、蛍光灯は骨にも見える。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"このことは美術のイリュージョンにも通じる、と中﨑は考えている。りんごの絵があるとすると、その実体は紙と水彩絵の具だったりキャンバスと油絵の具だったりするのだが、私たちはそれを「りんごだ」と認識する。中﨑の作品は私たちが無意識に「そういうものだと思っている」ことに、ちょっとした切れ目を入れてくれるのだ。","boxedSubBody":"","image_set":[{"image":{"id":334187,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1832_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1832_1312.jpg"},"caption":"蛍光灯の人体彫刻が並ぶエリア。ぽっかりと空いた手前のスペースは〈水戸芸術館〉の芝生広場を思わせる。","disable_captipn":0}]}],"button":[],"description":[],"p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man》。高校時代の中﨑は芝生広場で、こんなふうにのんびりしていたのかも。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"近代以降の美術では、制作物は作者のものであり、画家や彫刻家の内面の表出だとされている。創作のプロセスに積極的に他者を関与させる中﨑の作品はそういった定義への抵抗だ。……と、小難しいことを考えることもできるけれど、何よりも彼の作品に関わるのは楽しい。今回の個展でも「看板」を描いてもらう公開制作が行われる（申し込み多数につき応募は締め切られた）。会場に置かれている看板の「契約書」にはこれまで申し込んだ人のいろいろな思いが書かれていて、それを読むだけでもワクワクする。依頼者に決定権がない看板に象徴される、ちょっとずれた関係が美術館を出たあとの日々をもっと面白いものにしてくれる。","boxedSubBody":"","image_set":[{"image":{"id":335677,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2015_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2015_1312.jpg"},"caption":"ゲームやトランプで遊べる“プレイルーム”的エリア。「看板」の公開制作もここで行われる。\r\n","disable_captipn":0},{"image":{"id":335678,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2020_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2020_1312.jpg"},"caption":"ブロックやキャラクター消しゴムが積み上げられたテーブルは子どもたちに人気だ。壁のタペストリーは中﨑の友人、山下陽光のリメイクブランド「途中でやめる」とのコラボレーション。","disable_captipn":0},{"image":{"id":335679,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2008_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2008_1312.jpg"},"caption":"全国で少しずつルールの違う「大富豪／大貧民」。互いのルールを調整しながら仲よく遊ぼう。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":334211,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1093,"height":1640,"file":"2023/11/1129NAKAZAKITOHRU1941_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1941_1312.jpg"},"caption":"展示室の途中にあるトイレのサインも中﨑の作品。ワールドカップをモチーフにした《W.C.》（2002年）だ。","disable_captipn":0},{"image":{"id":334216,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1093,"height":1640,"file":"2023/11/1129NAKAZAKITOHRU1967_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1967_1312.jpg"},"caption":"《rainbow》。展示室のある場所で、頭上にかかる七色の糸。よく目を凝らさないと見えない。水戸で東日本大震災後に制作した作品だ。虹は交わらない平行線にも、どこまでも隣で寄り添うような風景にも見えた、と中﨑はいう。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":334210,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1936_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1936_1312.jpg"},"caption":"《Beauty is in the eye of the beholder.》。タイトルは「美は見る人の目の中にある」という英語の格言。器に書かれた文字以外の青絵や赤絵は、青や赤のアクリル板で見えなくなるはずだったが、実際はわりと見える。","disable_captipn":0}]}],"button":[{"url":"https://www.arttowermito.or.jp/gallery/lineup/article_5186.html","text":"公式サイト","color":"","image":{"id":0,"alt_text":false,"caption":"みんなのぼんやりとした記憶を集めたり、奇妙な契約のある「看板」を作る中﨑透。茨城県の〈水戸芸術館現代美術ギャラリー〉で、彼にとっ…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"eventcategory":""}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"みんなのぼんやりとした記憶を集めたり、奇妙な契約のある「看板」を作る中﨑透。茨城県の〈水戸芸術館現代美術ギャラリー〉で、彼にとっ…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"『中﨑透　フィクション・トラベラー』","body":"〈水戸芸術館現代美術ギャラリー〉～2023年1月29日。10時〜18時（入場は17時30分まで）。月曜、年末年始（12月26日～2023年1月3日）、1月10日休。1月9日は開館。TEL 029 227 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home or house, yes or no, or yeah!!》の前の中﨑透。「家（イエ）」という音はYES、否定のいえいえ、かけ声などに聞こえる。家制度など社会的な事柄も考えさせる。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回の個展は、一言で言ってしまえば彼の代表作を網羅した回顧展だ。が、ことはそう単純ではない。会場の壁にはあちこちにテキストが掲げられている。これは、水戸をモチーフにした中﨑の新作《フィクション・トラベラー》だ。水戸や〈水戸芸術館〉に関する思い出や、時にはっきりしないこともある個人的な記憶の断片が綴られている。","boxedSubBody":"","image_set":[{"image":{"id":334199,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1887_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1887_1312.jpg"},"caption":"ウェルカム感満載の会場入口。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"《フィクション・トラベラー》は5人のさまざまな年代の水戸在住者へのインタビューをもとにしたもの。テキストは中﨑の旧作と語り会うように、展示室中に散りばめられている。これまでも彼はその場所に関係のある人々にインタビューを行い、それを元にしたインスタレーションなどを発表してきた。","boxedSubBody":"","image_set":[{"image":{"id":334208,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1927_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1927_1312.jpg"},"caption":"《フィクション・トラベラー》。5人の男女が語った、水戸や〈水戸芸術館〉の記憶から引用されている。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":335641,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1903_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1903_1312.jpg"},"caption":"インタビューを元にしたプロジェクト《フィクション・トラベラー》の中である人が口にした「全然覚えていない」というフレーズを描いた。","disable_captipn":0},{"image":{"id":335650,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU2111_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU2111_1312.jpg"},"caption":"同じく《フィクション・トラベラー》中の「覚えてる」を作品化。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"今回は展示の最後にインタビュー相手の名前が記載されているが、個々人の属性や誰がどのテキストを語ったのかは特定しにくい。中﨑の過去作品でも語り手は記載されていない。が、話の内容から話者を推測することはできる。","boxedSubBody":"","image_set":[{"image":{"id":335643,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1920_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1920_1312.jpg"},"caption":"手前の構築物は《エピソード：鼻歌まじりの引越の時間はいつかは終わる。だから僕はなるべく回り道をする。》。2011年の暮れに大阪で展示した作品の再制作。当時、制作・発表したギャラリーの2階の床にあいていた穴までも再現している。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"","boxedSubBody":"","image_set":[{"image":{"id":334194,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1863_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1863_1312.jpg"},"caption":"《エピソード：鼻歌まじりの引越の時間はいつかは終わる。だから僕はなるべく回り道をする。》、2階の穴を見下ろすとさまざまなものが雑多に積まれているのが見える。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「同じ出来事でも人によってバラバラな話になることってありますよね。別にウソをついているわけではなく、単に忘れていたり、認識が違ったりすることってよくある。歴史というのは過ぎてしまうと一本の線のように見えてくることがあるけれど、話者を明示しないのはそれへの抵抗なんです。歴史って複数のものが何重にも絡み合っているものだと思うから、ぼやっとした総体であってほしい。壁のテキストもぼやっとした輪郭を作りたくて、こうしています」","boxedSubBody":"","image_set":[{"image":{"id":334205,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1916_13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On KAWARA》。瓦が多く生産されている福岡県筑後地域で制作した、瓦の形の作品。中﨑は武蔵野美術大学油絵科に在籍していたが、陶芸のサークル「窯工部（ようこうぶ）」でも活動していた。展示には自作の器も並ぶ。\r\n","disable_captipn":0},{"image":{"id":334248,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU2121_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU2121_1312.jpg"},"caption":"《Datepaiting On KAWARA》。毎日、その日の日付だけをキャンバスに描いた河原温「Date Painting」へのオマージュ。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"両親は小さい頃から〈水戸芸術館〉以外の美術館にはよく連れていってくれたという。が、〈水戸芸術館〉は「よくわからなくて」あまり来ていなかった。中﨑は高校のときは毎週のように訪れて芝生の広場でくつろいだりしていたが、意識して展示を観るようになったのは美大を目指してからだという。それから約20年経った今も中﨑の口からはジェニー・ホルツァー、ジェームズ・タレル、ダニエル・ビュレン、ジョン・ケージなど当時見た展示作家の名前が次々に出てくる。〈水戸芸術館〉で展示されてきた現代美術は彼に強い印象を残したようだ。\r\n","boxedSubBody":"","image_set":[{"image":{"id":334213,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1951_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1951_1312.jpg"},"caption":"プロジェクトの際は主催者やキュレーターたちとアイデアを共有するため、スケッチを描く。","disable_captipn":0},{"image":{"id":334233,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU2025_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU2025_1312.jpg"},"caption":"この個展のためのスケッチ。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「水戸芸術館の展覧会を見ていて、いわゆる“受験絵画”とは違うものがあることに気づいた。自分でも気がつかないうちに影響を受けていたと思います」\r\n\r\n“受験絵画”とは正確なデッサンを重んじた、写実的な絵画のこと。美大の受験には必須の技術だ。卒業制作にも「100号（約1メートル×1.6メートル）の油彩画を2点提出するのが理想的」といった暗黙の了解もあった。が、中﨑が卒業するころにはその“暗黙の了解”が少しずつ崩れてきて、伝統的な絵画ではない作品を提出する学生も出てきたという。そこで彼が卒業制作として作ったのが「看板屋なかざき」のシリーズだった。\r\n","boxedSubBody":"","image_set":[{"image":{"id":335646,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1971_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1971_1312.jpg"},"caption":"《fall》。東日本大震災後に作った作品の一つ。水がバケツやパイプを循環している。\r\n","disable_captipn":0},{"image":{"id":335647,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1980_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1980_1312.jpg"},"caption":"《4 Colors Line / Ski》。昨年、札幌のギャラリー〈salon cojica〉で開いた個展『Poolside Snowman』の再構成。","disable_captipn":0},{"image":{"id":335648,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1985_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1985_1312.jpg"},"caption":"《stamp》。東日本大震災後の作品。中﨑は2017年にも札幌とスキーの関係を探るプロジェクトを行っている。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「看板屋なかざき」は、中﨑が他の誰かと「契約」して作るアートだ。看板にはそれぞれ依頼者がいて、彼らと契約書を取り交わしている。契約書には依頼者がごく少額だが対価を支払うこと、看板に必ず書いてほしい文言、全体の雰囲気や使ってほしい色などの希望事項が書かれている。できあがった看板は依頼者が必須とした文言は入っているけれど、最終的な決定権は中﨑にある。対価を受けとっているにもかかわらず、だ。契約というのは一般的に依頼者のほうに決定権があるはずなのに、ここではねじれが生じている。","boxedSubBody":"","image_set":[{"image":{"id":335640,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1875_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1875_1312.jpg"},"caption":"「看板」のタワーが立つ展示室。地方のスナックの看板のようなチープさに、なぜか惹きつけられてしまう。","disable_captipn":0},{"image":{"id":335642,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1907_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1907_1312.jpg"},"caption":"美大の卒業制作として発表した「看板屋なかざき」の様子。学生100人から依頼を受け、看板や契約書などを展示した。","disable_captipn":0}]}],"button":[],"description":[],"profile":[]},{"pageTitle":"","section":[{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"「『看板屋なかざき』は依頼者の思い通りにならない、理不尽な契約なんです。わざとずらした関係を作ろうとしている」\r\n\r\n「看板」は中﨑の思い通りにもならない。色彩も構図もわざと、中﨑が特に好きでもないものにすることもある。\r\n\r\n「絵画に他者が入ってくる、ということに自分でもびっくりしました」と中﨑は言う。\r\n\r\n","boxedSubBody":"","image_set":[{"image":{"id":335639,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1855_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1855_1312.jpg"},"caption":"奥の壁に並ぶのはワークショップで制作した看板の数々。依頼者からの記載必須事項は書くけれど、図案の最終決定権は中﨑にある。","disable_captipn":0},{"image":{"id":335661,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1976_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1976_1312.jpg"},"caption":"《看板屋なかざき》。世界の都市名をカタカナ表記し、それを五十音順に並べた。その都市のイメージとデザインとはあまり関係がない。そもそもカタカナにした時点で、元の都市とは違うものになっているかもしれない。\r\n","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"中﨑が近年手がけている、蛍光灯による人体彫刻のシリーズは「看板」と関係がなさそうでいて実はつながっている。一般に看板はその建物で行われている事業などを示すラベルのようなものだけれど、「たとえば人はビールでも他の飲料でも、味を覚えているのか、それともラベルで認識しているのだろうかな、と思うんですよね」と中﨑はいう。\r\n\r\n「人間も『他人から見た自分』と『自分で思う自らの像』の2つがせめぎ合ってできているのでは。その表面のラベリング、イメージの部分をわざとずらしたり切り離したりしてみようと思った。ある意味では『看板』と近い作品なんです。『看板』は表面のイメージだけが見える作品ですが、サインって質量がない。もし信号機が地面に置かれていたら、いつもは高い所に浮いているとは思えないぐらいの大きさに驚くと思います。信号機には質量も実体もあるのに、僕たちは表面だけを見えている」\r\n","boxedSubBody":"","image_set":[{"image":{"id":335638,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":1640,"file":"2023/11/1205NAKAZAKITOHRU1843_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1205NAKAZAKITOHRU1843_1312.jpg"},"caption":"近作の蛍光灯による人体彫刻。透明な表面は皮膚に、蛍光灯は骨にも見える。","disable_captipn":0}]},{"imageTitle":"","exam_id":"","exam_image":null,"exam_image_credit":"","movie":"","movieStart":"","movieCaption":"","vimeo":"","vimeoCaption":"","vimeoAutoplay":0,"instagram_id":"","instagram_hidecaption":0,"pinterest_widget":"","subBody":"このことは美術のイリュージョンにも通じる、と中﨑は考えている。りんごの絵があるとすると、その実体は紙と水彩絵の具だったりキャンバスと油絵の具だったりするのだが、私たちはそれを「りんごだ」と認識する。中﨑の作品は私たちが無意識に「そういうものだと思っている」ことに、ちょっとした切れ目を入れてくれるのだ。","boxedSubBody":"","image_set":[{"image":{"id":334187,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1312,"height":875,"file":"2023/11/1129NAKAZAKITOHRU1832_1312.jpg","sizes":{}},"post":333922,"source_url":"https://wp2022.casabrutus.com/wp-content/uploads/2023/11/1129NAKAZAKITOHRU1832_1312.jpg"},"caption":"蛍光灯の人体彫刻が並ぶエリア。ぽっかりと空いた手前のスペースは〈水戸芸術館〉の芝生広場を思わせる。","disable_captipn":0}]}],"button":[],"description":[],"p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is in the eye of the beholder.》。タイトルは「美は見る人の目の中にある」という英語の格言。器に書かれた文字以外の青絵や赤絵は、青や赤のアクリル板で見えなくなるはずだったが、実際はわりと見える。","disable_captipn":0}]}],"button":[{"url":"https://www.arttowermito.or.jp/gallery/lineup/article_5186.html","text":"公式サイト","color":"","image":{"id":0,"alt_text":false,"caption":"みんなのぼんやりとした記憶を集めたり、奇妙な契約のある「看板」を作る中﨑透。茨城県の〈水戸芸術館現代美術ギャラリー〉で、彼にとっ…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"eventcategory":""}],"description":[{"descriptionImage":{"id":0,"alt_text":false,"caption":"みんなのぼんやりとした記憶を集めたり、奇妙な契約のある「看板」を作る中﨑透。茨城県の〈水戸芸術館現代美術ギャラリー〉で、彼にとっ…","description":"","media_type":"file","media_details":{"sizes":{}},"post":null,"source_url":false},"title":"『中﨑透　フィクション・トラベラー』","body":"〈水戸芸術館現代美術ギャラリー〉～2023年1月29日。10時〜18時（入場は17時30分まで）。月曜、年末年始（12月26日～2023年1月3日）、1月10日休。1月9日は開館。TEL 029 227 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